DC X Sonic the Hedgehog: Issue 2

DC X Sonic the Hedgehog: Issue 2

Original Publication Date: April 16th, 2025

It must be tricky writing a big, inter-corporate crossover like "DC X Sonic the Hedgehog." You have two sets of characters to balance, both of which have certain expectations fans will want to see met. (And two sets of legal barriers from corporate overlords to obey, which is surely no fun at all.) The DC Universe is a vast and sprawling construct, with established characters and concepts that easily measure in the thousands. The "Sonic" license is also extremely convoluted and huge. How do you begin to narrow down who and what you want to feature? Then you must organize all those ideas into a semi-coherent narrative of some sort, usually within the boundaries of only a few issues too. That's enough to stymie the most hardcore of fan boys. I'm going to have some criticism for Ian Flynn's script for the second installment of "DC X Sonic" here in a minute but, when you consider all of the above, some of the flaws make a lot more sense. 

We pick up where we left off last month, with Sonic and the Flash about to face down Darkseid, who has gotten his ominous mitts on the Blue Chaos Emerald. The tyrant of Apokolips and his Omega Beams prove more than even these two speedsters can handle, the New God of Fascism walking off with the glowing gemstones. He realizes that these reality-altering rocks have more than enough juice to achieve his dimension-shattering goals. He deploys all his henchmen to hunt the remaining six down. The Justice League and Team Sonic do what they can to track down the stones before these villains can. However, the Blue Emerald is enough to start shaking the very fabric of existence up. With an assist from Eggman, both groups of heroes take the fight to Darkseid on his RagnaRock... But is the fate of two worlds already sealed?

Recently, a new bit of Zoomer slang – forged, no doubt, within the darkest depths of TikTok or Roblox or something – has wedged itself into the internet's lexicon. That would be "hype moments and aura." As a geriatric millennial, barely clinging to life by the straps of my JNCO jeans, it's entirely possible I'm misunderstanding all of this. However, as far as I can tell, that string of words refers to when a piece of entertainment – anime, video games, movies, what have you – substitutes exciting moments of action or suitably awe-inducing spectacle for writing of genuine depth. We old folks would refer to this, I think, as "style over substance." The degree to which a story's aesthetic appeal and its actual narrative depth contribute to one's enjoyment of a piece of art is as old as criticism itself. Many have argued that style is substance. There's no doubt, that many illustrators, musicians, and filmmakers have elevated the artificial presentation of their work to such a degree that it becomes an astounding work of art all its own. You can even say that the grasping of the ineffable quality that makes something cool – its aura, if you will – is quite a challenging and precise task of its own. 

At the same time, we do live in an especially distracted time. Many aspects of our daily lives have become far too similar to professional wrestling, where someone very much can mask a lack of technical skill with the ability to excite an audience. There's no easier way to generate a "hype moment" or some "aura" than to nod at something people already know, something they've been waiting for. When Captain America said "Avengers assemble!" in "Avengers: Endgame," it was guaranteed to result in an orgasmic tidal wave of fans finally getting the dopamine they were promised. Marvel is betting a lot of money on a similar reaction to an 84 year old Patrick Stewart croaking out "To me, my X-Men!" against an ashen green screen environment in their next billion-dollar crossover movie. I'm not immune to this. Sonic going Super in the second movie got a similarly oversized reaction from me. However, in a world increasingly driven by corporations mining our nostalgic connection to yesterday's creations for easy buzz amid an ever-more artistically hollow entertainment landscape, we must remain diligent. The term "We've got hype moments and aura" is actually a good piece of pop culture critique. Making the reader cheer is not the same thing as making the reader cry, making the reader think, or changing the way the reader feels about the world or themselves. Style has its place but it's not a substitute for depth, certainly not in a world where the stories we consume – the reflections of our reality that represent us grappling with our existence – are under threat of being replaced by machine-generated dross devoid of any value at all. 

The point I'm making in far too many words is this: "DC X Sonic" doesn't have to actually be good to get people losing their minds. When you are shoving two beloved pieces of pop culture like this together, depending entirely on "hype moments and aura" represents the path of least resistance. Did I get a buzz simply from seeing Sonic the Hedgehog attempt to outrun Darkseid's crooked, hero-seeking Omega Beams? You bet your ass I did. Having an image of Shadow and Batman riding side-by-side or Knuckles and Superman taking to the skies together is an insane dream come true. This comic book contains a panel where Wonder Woman rides around on the back of Amy Rose's pink electric car. How am I to react to that with anything but cries of "This is fucking cool?" Ian Flynn certainly packs the book with these moments. He litters this comic with callbacks to DC lore. Classic Darkseid henchmen like Lashina, Mantis, and Kalibak all clash with our good guys. Steppenwolf threatens to take a bridge Shadow and Bruce Wayne are standing on for a magic carpet ride. Watching Silver the Hedgehog and Green Lantern attempt to combine their powers to stop Darkseid is friggin' exciting. 

As I said before, it's also a lot. If there's any big complaint I have about "DC X Sonic" so far, it's that this comic book is as fast paced as both the Blue Blur and the Scarlet Speedster combined. Those two are fighting off Darkseid for a page or two before we are off on a MacGuffin chase after the Chaos Emeralds. Seeing this unlikely pairing take on a selection of sub-bosses from Apokolips is cool... It also represents only a handful of panels in a brief issue. Batman and Shadow barely get to show Steppenwolf how born to be wild they were before the heroes have to redirect their efforts towards confronting the Anti-Life pusher man directly. That cataclysmic struggle with the bad guy itself only lasts a brief time before the crossover is moving onto its next hype moment, which surely exists to set up more hype moments in the future. I know the fate of two worlds hang in the balance here but maybe a slightly less breathlessly deployed series of incidents would have been nice. 

An individual comic book that's part of a limited mini-series leaving you wanting more is not the worst crime. That's kind of the whole point of the medium, right? To get you so hyped up that you can't wait for part three to drop next month? There's a difference between exciting us with the promise of more to come and leaving too many scraps on the plate though. This issue introduces a fun plot point. Darkseid and his minions are going to tear Sonic's world apart. That won't leave much for Eggman to build his amusement park on, so the villain makes a shaky truce with his life-long enemies against a far bigger threat. It's a classic comic book set-up and one we've seen before. However, what we haven't seen before is Eggman badgering the Justice League into taking a ride on the Egg Carrier before slamming point first into the giant eye of Darkseid's personal Death Egg. Eggman's role in the story isn't much more than that and it feels like a waste. That such a juicy idea, as Eggman and Team Sonic putting aside their differences to team up against the new Antichrist in town, is reduced to merely one incident among many is disappointing. 

The Flash points out that Superman also has an egomaniacal balding mad scientist obsessed with defeating him. More parallels like that – otherwise known as the main reason we like to read goofy crossovers like this – were definitely needed. What joy the first part of "DC X Sonic" gave me was mostly born out of Flynn contrasting these two sets of action figures. There's a little bit of that in issue two. Sonic and the Flash continue to banter and bait on another, constantly razing the other about who is faster. The Flash brags about surpassing picoseconds and Sonic quips that it's cute his speed can be measured. That's what we want to see, man. Sadly, in his attempt to shove in as much stuff as possible and fuse the script with the Speed Force, Ian Flynn robs us of more truly fun interactions. These characters probably aren't going to meet each other again. Maybe slow it down a bit? 

Instead, the ways these heroes are similar and different are only highlighted fleetingly. Shadow is bragging about being the Ultimate Lifeform to Batsy for a single panel before they are distracted by the next crisis. Tails and Cyborg techno-babble in a laboratory on the way to inventing a plot saving doohickey. Otherwise, there's disappointingly little of that here. Wonder Woman promises to help take on Eggman next time she's around – is that an Egg-Fu reference???? – which Amy is enthusiastic about. Superman stands back and looks a little embarrassed as Knuckles goes HAM on Kalibak. Otherwise, it's only an action beat here and there. Silver and Jon Stewart get it the worst, not doing much more than throwing some green constructs and telekinetic waves at Mantis. It's cool but is it enough? 

I still don't know but I am sure of something else: Ian Flynn and Adam Bryce Thomas sure are impressed with Darkseid. I never would have guessed that Flynn was such a big fan of Jack Kirby's blending of classic mythology and far-out sixties sci-fi but you can see it clearly here. "DC X Sonic" totally buys into the idea that Darkseid is the biggest threat to the multiverse. He drops that iconic line about how "Darkseid IS," which still ranks among comic-dom's hardest rap brags. The issue emphasizes his grandness, that he truly is a god, and it goes a long way towards making the stakes here feel extra high. You know a comic book has a top shelf bad guy when you feel like the heroes are totally outmatched against him. You can tell Adam Bryce Thomas also had a lot of fun drawing stuff a lot weirder than blue hedgehogs and Chao for once too. He designs a weird cosmos-resetting Fatherbox for the bad guys that reminds me of H.R. Ginger's "Li II" painting. Whether that was an intentional reference or not, biomechanical psycho-sexual vibes are not something I ever expected to get from an officially branded "Sonic" comic. 

This was obviously a dream gig for the artist. The variety of superpowers on display here allow for all the high dynamism we expect from Thomas' action sequences. You often feel the speed and the power of the blows here, of Wonder Woman lassoing Darkseid or Superman trading blows with the New God. Of course, the speed and agility of Sonic and the Flash get some theatrical presentations too. I also really like ABT's decision to often depict Darkseid's face as nothing but glowing red eyes bathed in shadows. If I had to leverage any criticism against this extremely gorgeous artwork, it would be that Thompson makes Superman a little prettier than I like. He gives him feathery eyelashes and a graceful dancer's posture, when I like my Clark Kent to be a little closer to an old time-y circus strongman aesthetic. But that might be strictly a me thing. 

It's cool. No shit it's cool. A comic book with Sonic the Hedgehog and Batman in it would have to be a disaster for it to be anything less than cool. Only someone like Ken Penders could fumble a touchdown that badly and they don't let him into comic shops anymore. Flynn never letting up on the gas is frustrating, especially when what we truly want to see is more of these two teams interacting. There is plenty of hype and aura, no doubt about that, but I do wish it was a little less rushed. The ending – in the tradition of comic crossovers, far graver than it actually will end up being – shows that Sonic and the gang will get to delve more into the DC Universe as this goes on. The Justice League might be getting a bit more unlimited than I initially expected, which hopefully means we Aquaman fans won't be left on dry land here. Whether "DC X Sonic" winds up being a satisfying whole remains to be seen but I guess I'm too big of a nerd not to keep hoping for the best. [7/10]