Sonic Prime, Episode 3.01: Grim Tidings

Sonic Prime, Episode 3.01: Grim Tidings

Original Release Date: January 5th, 2024

2024 is still young and we are already awash in new "Sonic" content. There was a time when a monthly comic book, the occasional new game, and a rerun of an old cartoon show was all we hedgehog fans had to tide ourselves over with. This year alone, the series is getting a new game, a new movie, and a live action TV, a first for the franchise. This is in addition to comics still being regularly published and an even flow of cool new merch. Like friggin' Legos! In 2024, you can go to Target and buy "Sonic" Lego sets! Truly, what a time to be alive.

The first wave in this deluge of new "Sonic" stuff is the final batch of "Sonic Prime" episodes. Netflix is treating this as the "third season," even though I'm pretty sure all of "Prime" was produced at once and was broken up into releasable chunks. At least the streaming giant is actually bothering to promote the show, sticking the first episode of the final round up on YouTube for free. Considering Netflix dumps most of their shows and movies on the platform and barely tells anyone, it's nice to know they hold some value in the "Sonic" property. Or maybe "Sonic" is one of those names that generate their own hype, thanks to an obsessive fandom that never stops talking about it on social media. Neither way, I have a new chunk of "Prime" to bitch about now. Let's get to it. 

"Grim Tidings" begins with a lengthy recaps of "Prime's" events up to now. Which is useful, as I had forgotten a lot about it. After saying "screw you guys, I'm going home" and exiting Ghost Hill with the Paradox Prism, Nine arrives in the barren wasteland that is the Grim. He immediately uses the crystals to begin his plan of turning this world into his version of the ideal world. This has the unforeseen side effect of causing Ghost Hill to collapse in on itself. Sonic and Shadow narrowly escape to the spaces between, before heading to the Grim to confront Nine. The fox doesn't take this intrusion very kindly, sending his horde of newly created robotic henchmen on the hedgehogs. Nine soon realizes that the final piece of the Paradox Prism – needed to keep all the worlds, the Grim included, from tearing themselves apart – resides in Sonic himself. This makes our speedy hero, the guilt on his shoulders already being a heavy burden, the target of Nine's scheme. 

Over the course of "Prime's" first two seasons, Nine has emerged as one of the deeper characters. Much to my consternation, most of the cast members have been loosely defined variations on Sonic's established friends, with an easily grasped gimmick like "pirate" or "jungle primitive" latched onto them. Nine, at the very least, has an interesting angle to explore. He's an edgy, emo version of Tails that doesn't want to have friends but feels drawn to Sonic anyway. Yet that need to be a self-reliant loner, born out of years of being isolated and afraid, has put him at odds with his new buddy. Sonic never gives up hope. Nine already gave up hope years ago. Now his teenage angst has potentially doomed the whole universe, his insular focus on creating a more perfect world hastening the ShatterVerse's collapse. 

If "Prime" was a show that actually took the time to develop its characters and really delve into what drives them, all of this could be really interesting. Instead, this is a show with a pattern of people abruptly switching sides. Thorn went from nice to angry with little explanation. Dread and his crew became assholes the second Sonic didn't bring them the crystal they wanted. Nine's shift towards apparent villainy similarly feels like it lacks nuance. Within the show itself, these guys were working together, like, an hour ago. Now Nine has gone maniacal with power and is siccing his minions on Sonic. There's enough wiggle room here for Nine's motivations to be as complicated as they could be. Yet, given what this show has done already, I'm doubtful this will be the case. Nine will be acting like a one-note bad guy now, not because it makes sense for his character but because it's what is needed to push the overall narrative along. 

The truth is... How can I expect “prime” to have any depth to its characters or storytelling when it can even keep the rules of its own universe straight? When Nine starts terraforming the Grim, a new robot version of Sonic appears. After Sonic and Shadow thrash the so-called “Grim Sonic,” Nine then summons Grim versions of Knuckles, Amy, Rouge, and Birdie. One assumes that these are the corresponding versions of these characters for this world... But if that's the case, why is there a Grim version of Sonic? None of the other dimensions in the ShatterVerse have a version of Sonic. And why can Shadow entered the Grim and Ghost Hill but not the other realms? Was that explain at some point and I just forgot something? Or is this entire affair running on some loosely defined magic here? Normally, this kind of shit wouldn't matter because you'd be invested in the heroes and their conflicts. Yet I'm sure noticing it in this case. 

If “Grim Tidings” has any sort of emotional core at all, it's not between Sonic and Nine. Instead, Sonic and Shadow proved to be the power couple here. “Prime” has been inconsistent about Sonic and Shadow's relationship. It has really seemed like, in most of their interactions up to this point, Shadow has just wanted to beat Sonic's ass. Yet the so-called Ultimate Lifeform does care about his blue counterpart. In the final minutes of this episode, he tosses Sonic out of the Grim once it becomes apparent that Nine and his forces are after Sonic's Prism powers. I suppose you could debate why Shadow does this. Maybe he just wants to undo the mess Sonic created and realizes he needs Sonic to do that. Or maybe the two hedgehogs are secretly in love and their fighting and bickering is just how they express their sexual longing for one another. With shows like this, you have to speculate. 

Making these kind of complaint almost seems besides the point by now. “Sonic Prime” is about the actions. The fight scenes are the moments in this episode that the animators clearly lavished the most time on. There's lots of elaborate shots, with what would be fancy camera movements in a live action film. The sequence of Sonic and Shadow outrunning the tide of Ghost Hill turning all purple and shattered would make for a bitchin' video game level, especially when they are leaping across the debris as it floats up through the air. The fights with the Grim robots are similarly elaborate. Honestly, they are starting to be too elaborate. The way Grim Amy swings her hammer around reminds me of the lightsaber duels in the “Star Wars” prequels, where everyone is clearly just showing off with balletic movements. Instead of just performing focused strikes like they actually would in, ya know, a combat scenario. It looks cool but at what cost, know what I mean? 

Heading into the last swarth of “Prime” episodes, it seems my opinion on this show is mostly unchanged. There's so much potential to this multiverse premise but the show seems uninterested in exploring that outside some specific confines. Moreover, there's this stubborn refusal to allow the characters to grow any, making “Prime” constantly feel like it's being dumbed-down for the simplest of audience. And kids deserve better than that. “Sonic” fans too. As for “Grim Tidings,” it has some cool action and one or two interesting moment that I increasingly feel like will not be followed up on in any especially compelling way. [6/10]

Sonic the Hedgehog: Fang the Hunter: Issue 1

Sonic the Hedgehog: Fang the Hunter: Issue 1

Original Publication Date: January 17th, 2024

When released in 1994, "Sonic the Hedgehog: Triple Trouble" received a little bit of hype. The "Sonic" franchise was red hot at the time, perhaps at the peak of its nineties popularity. This meant any new game featuring the character was going to get a big push. And it didn't hurt that this was the second appearance of Knuckles, who was quickly becoming the second most popular character in the series at the time. However, "Triple Trouble" was still a handheld title, for the Game Gear, a console that was never as big as Sega hoped and always trailed way behind the Game Boy in popularity. This meant that "Triple Trouble" was destined to be consigned to the waste bin of pop culture. As the "Sonic" series began to explore new avenues, with a quickly expanding cast and universe, in the 2000s, "Triple Trouble" would be seemingly forgotten even by Sega. 

The game's obscure status would make the new character it introduced even more overlooked. Fang the Sniper, or Nack the Weasel to us U.S. assholes, would become a reoccurring character in the Archie comics. But the rest of the "Sonic" fandom didn't care about this guy for a long time. Aside from "Triple Trouble," Fang's only other appearance for years was "Sonic the Fighter," an even more obscure arcade exclusive. By the start of the 2010s, Fang was stuck in the same limbo as Mighty or Ray: Beloved by a tiny niche of the fandom but ignored by everyone else, even the video game company that created him. Who had time for a pink weasel/jerboa/wolf what's-it when we were being flooded with telekinetic time travelers and fiery felines? 

That slowly started to change with the 2017 release of "Sonic Mania," which brought Fang – along with the equally overlooked Bark and Bean – back to the forefront of the series. Since then, we've seen this trio of troublemakers referenced a lot more. Fang was even given a prominent role in last year's "Sonic Superstar," suggesting that the little scum bag was a going concern for Sega again. This Fang Renaissance continues into 2024, with IDW giving the guy – now dubbed a Hunter by Sega, since I guess "Sniper" was a little too aggressive – a starring role in his own four-part mini-series. This is a pretty big deal for a character deemed little more than an in-joke for quite a while. 

And what does the first issue of "Fang the Hunter" contain? It begins with Fang, Bean, and Bark spying on Sonic as he chills in a hammock. They quickly attack, hoping the hedgehog can give them some info on a mythical eighth Chaos Emerald. Sonic doesn't know anything about this, assuring them that such a thing doesn't exist. After such a humiliating defeat, Fang decides to shake down Knuckles for info next. The Guardian is waiting for them and prepares traps throughout Angel Island to throw them off. Meanwhile, Tails warns Sonic that a mysterious airship has ravaged the Marble Zone before vanishing. 

In the original Archie Comics continuity, "Nack the Weasel" was a fairly serious adversary. He successfully disarmed Sonic so Robotnik could roboticize him, kidnapped Princess Sally, and even killed some people. However, that is an atypical characterization for the guy across most of the series. From "Triple Trouble" onward, Fang has largely been portrayed as a joke, an incompetent buffoon that is easily defeated, usually by his own deeply misplaced overconfidence. As the comics have sought to more closely follow the games, this characterization has taken root here as well. In the handful of appearances in past IDW books, Fang has mostly been a joker, an un-serious threat that is always humiliated before any criminal plot he has can come to fruition. This might be because he's always hanging around now with Bark and Bean, essentially the Laurel and Hardy of the "Sonic" world. 

With that in mind, the first issue of "Fang's" mini-series is largely devoted to slapstick comedy. The opening sequence of the comic – where Fang attempts to crush Sonic with a big rock, only for the hedgehog to deflect them without breaking a sweat – even seems to recall the wacky antics of the "Adventures of Sonic the Hedgehog" cartoon. Maybe that's just because there's a hammock in the scene though... Either way, there's definitely some "Tom and Jerry" vibes to this comic, as we watch the antagonists get comically defeated by a hero that way outclasses them. 

This, in fact, may be where Fang's appeal lies. As a stereotypical villain, he's never going to learn his lesson. No matter how many crushing defeats he suffers, he's going to keep pursuing Sonic. This makes the jerboa something of a lovable loser. He's always going to fail. We, as human beings, will also fail more often than we will succeed. So, even though Fang is a bad guy, we still relate to him. His need to keep pushing a metaphorical boulder up an allegorical hill, when it's always destined to flatten him, even makes the guy kind of admirable. Don't we all wish we had that kind of tenacity, in the face of life constantly making you eat shit? This allows "Fang the Hunter" to have its cake and eat it too, letting us derive amusement from Fang's exaggerated defeats while also seeing us root for him a little bit, in a perverse way. Haven't we all wanted to see the Coyote catch the Roadrunner at least once? 

While Fang hopelessly strives to be taken seriously someday, despite the clear unlikeliness of that ever happening, Bean and Bark have long since accepted their roles. IDW Bean isn't quite as unhinged as his Archie counterpart but he's still a wacky goofball, embracing the absurdity of every humiliation he suffers. While Bark is the strong, silent straight man, seemingly unflappable and inscrutable no matter what. I guess there is only so much to be mined from this dynamic, so issue #1 of "Fang" does introduce a conflict between Fang and his partners. Namely, they feel taken advantage of and plan on dumping his ass after this adventure. I don't take this threat seriously at all. If anything, I think this three might all learn to appreciate each other before this mini is over. But at least the set-up of "the mooks are planning to walk out on their boss" has some comedic value to explore. 

The clear farcical tone of this first issue makes me assume the MacGuffin quest that has been set-up will likely end up being a wild goose chase. There being seven Chaos Emeralds has been established as a fact of the "Sonic" series for so long, that it's easy to forget that the exact number has varied over the years. There were just six emeralds in the first "Sonic" game and most of the 8-bit ports. In "Sonic Spinball," there were as many as sixteen emeralds. Originally in the Archie continuity, there was just a surplus of many Emeralds of many different colors, until Ian Flynn fixed that. Fang believing there are eight Emeralds is likely a reference to "Sonic the Fighter," where there were indeed eight Emeralds to correspond to the eight characters. Considering that was his last in-game appearance for years, no wonder Fang seems to believe this is the case. 

I wouldn't be shocked at all if Ian Flynn used this mini-series to patch over a continuity era in the Classic Sonic canon. Yet it would be much funnier if Fang continues to hold onto an erroneous belief, in the face of mounting evidence to the contrary. But maybe the book is going somewhere else, what with that dangling plot point of Sonic and Tails chasing after a phantom ship in the Marble Zone. I guess, either way, the skeleton of a decent story has been set-up here. 

If this issue has heavy "Looney Tunes" overtones, what of Sonic as the Bugs Bunny to Fang's Yosemite Sam? On "Adventures of Sonic the Hedgehog," Sonic filled an almost literal Bugs Bunny role, right down to the frequent crossdressing and random bursts of nuttiness. Since that would be pretty out of character for IDW Sonic, Flynn writes him here as a snarky asshole. He has nothing but smartass quibs for Fang and his gang. He gets sarcastic with Tails. He even has to remind himself to be "patient with the kid" after he interrupts his nap. While fans constantly debate how much 'tude Sonic should display, we shouldn't forget that this is technically Classic Sonic we are seeing here. The blue hedgehog being a bit of a prick, even to his best friend, recalls his demeanor in the OVA or Fleetway comics, works contemporary with the Classic setting. Plus it's funny. I'm fine with it. 

Sonic is not the only hero to frustrate our titular goons though. Also in keeping with his more Classic Era characterization, Knuckles mostly hides back in the shadows and upends the Hooligans – or whatever they are called here – with traps he's set-up throughout the isle. This includes a delightful instance of Knuckles using the air vent trap from the start of "Sonic & Knuckles." If this whole comic wasn't a light-hearted goof, these scenes would almost be sinister. Mushroom Hill is depicted as dark and shadowy, Fang's buddies picked off by an unseen threat. Considering Knuckles fools Bark with a decoy that unmistakably resembles the Blair Witch stick figure, I'm going to assume that this mild horror atmosphere is intentional. Not a reference I expected to see in a "Sonic" comic, so maybe Bean will put on a Ghostface mask in the next issue. 

Mauro Fonseca is on pencil duties here and his work definitely matches the cartoony tone of the script. There is quite a lot of stretch and squash on display in these panels, especially when Fang tackles Bean to keep him from accidentally blowing up the Magnificent Queen. It turns out Fang's angular head really lends itself to this kind of over-the-top reactions. There are some really good faces in this issue, let me tell ya. Impressively, Fonseca manages to maintain the particular Classic Sonic look for everyone even when going for cartoony physics. Good stuff!

By the way, do you want to know how many times I wrote "Back" instead of "Fang" while assembling this review? Literally every single time! Old habits never die, I guess. Anyway, the first issue of the "Fang the Hunter" kicks the mini-series off in a goofily amusing, fleet-footed fashion. Let's see if Flynn and the gang can keep it up. [7/10]

Sonic the Hedgehog (IDW): Issue 68

Sonic the Hedgehog (IDW): Issue 68

Publication Date: January 3rd, 2024

Welcome to a new year of IDW “Sonic” coverage here at Hedgehogs Can't Swim! As we head into 2024, what can we expect from the four-color adventures of everyone's favorite speedy, spiny hero? Not a whole lot, at this moment! Issue 68 of “Sonic the Hedgehog” was intended for publication last month, before getting pushed back to January. The series will then, seemingly, be taking four months off while IDW puts out a mini-series about Fang. (That's Nack, if you're nasty.) I can only speculate on why this is the case. Considering his prominent appearance in their last game and that he was the focus of his own online comic, it really seems like Sega is pushing Fang a lot lately. I wonder if this is, perhaps, a very late response to the popularity of “Sonic-Mania” and a pivot towards the Classic setting in general? Whatever the reason, this is the last regular issue of “Sonic” we'll have to cover for at least a little bit.

So what is the first issue of 2024/technically the last issue of 2023 about? It begins with Sonic and Tails having a little contest of speed, as an excuse for the fox to show off the new souped-up hoverboard he created. They are also ostensibly tracking a Chaos Emerald signal. This adventure is soon sidetracked when Sonic goes stumbling through a big ass hole in the ground. The two fall into an unexpected mine shaft and discover the Chaos Emerald readings are stronger. They soon wander into an idyllic underground oasis, where everything glows with bioluminescent light. Yet this strange new location has dangers all its own, though perhaps not without good reason, as our heroes soon learn.

One assumes that “Sonic's” writers, artists, and editorial staff were well aware that the main book would be taking a few months off, to make room for a new mini-series. With this knowledge now in mind, it might explain why the comic has felt like it was in stasis for the last few months. Simply from a pacing perspective, it's probably not the best idea to begin ramping up to the next big event story line when you know a four month hiatus is forthcoming. Issue 67 does nothing to beat the allegations of “filler” I've been throwing at the book for a few months now. Does this story follow-up on last issue's cliffhanger, of Surge and Kit seemingly successfully infiltrating the Restoration? Does it advance the plot of Clutch's plan to undermine the heroes from the inside? Not at all! In fact, this story feels fairly disconnected with everything else happening in the comic book right now, in such as way as it's the kind of thing I'd expect to see published in a Free Comic Book Day issues or something like that.

Despite what it may seem like, this is not exactly a complaint. In fact, I quite enjoy “The Protector,” which is what I am told this tale is entitled. Setting goes a long way here. The good guys stumbling upon a mysterious, underground location has been a classic set-up for adventure stories for a very long time. The “Sonic” franchise has touched upon this premise before, in an old Archie one-shot and a pretty good episode of “Sonic X.” A creepy, isolated mine shaft is also a totally solid place to start. The panels of Sonic and Tails exploring the dark pathways, lit only by Tails' handheld computer, provoke a suitably spooky atmosphere. I wonder if Stanley was taking some cues from the first issue of “Scrapnik Island,” which captured a similarly mysterious vibe by sticking the duo into a dark, creepy place.

Stanley's script doesn't set up a monster movie premise without delivering on it. When Tails and Sonic come across an abandoned pickaxe and hammer, the little fox wonders what scared the miners off so abruptly. Soon enough, we meet the responsible party: A salamander the size of a salt water crocodile, covered in organic lights and extremely unhappy to have strange visitors in his lair. The pissed-off amphibian gets a surprise entrance, catching Sonic off-guard and pining him several times. The cramped interior of the cave leaves Sonic at a disadvantage too, the enormous salamander cornering him before he knows it. It's a mildly suspenseful sequence, the reader as surprised by the monster's sudden appearance as Sonic is. Even if we obviously all know that our hedgehog hero isn't in any real danger. 

Yet what makes “The Protector” a little more than a decently executed genre exercise, a little monster movie starring Sonic the Hedgehog, is the truth behind this scenario. See, the enormous salamander is the Protector that the title hints at. All he wants to do is keep his little underground ecosystem safe from intruders that mean to compromise its natural beauty. As soon as Sonic and Tails realize this, they work out a little deal with the guy. He agrees to take the Chaos Emerald away, to keep any further busy-bodies from seeking it out. Sonic makes the selfless decision to then leave the cave totally as is, so that it and its protector can continue to live in peace, uninterrupted by surface dwellers. The message is clear and it ties in with the environmental subtext that has been a part of the “Sonic” franchise from the beginning. We need to protect the environment from those who seek to exploit it. The natural, untouched world is precious and must not be compromised, even by the good guys. 

In the past, I've observed that I like it when Sonic and Tails use more than brute force to defeat an enemy. This is especially true with a story like this, where the antagonist isn't motivated by any malevolent intent. Instead, Tails quickly observes that the salamander seems to hunt via vibrations felt through the ground. Once Sonic gets up in the air, he's undetected. Sonic is a bit too panicked, on account of nearly getting eaten by a giant slimy critter, so having Tails out-think the enemy makes the most sense. In a comic book that is still mostly dominated by punching and fighting, Sonic and Tails talking things out with whoever they are fighting provides some nice novelty. 

If I have any criticism for “The Protector” at all, it's that the story didn't really have to go anywhere else after that first scene. In fact, a story simply devoted to Sonic and Tails having a race would've been pretty cool. Tails can seemingly match his average speed with his new Extreme Gear hoverboard and that throws Sonic for a loop. For a hero that is so egotistically proud of his superspeed, having his little body unexpectedly out-race him would've been a good opportunity for some character development. Instead, he literally drops into a totally unrelated plot. That's not a complaint, so much. Simply that the story this first scene sets up is an idea Stanley or Ian Flynn should maybe return to some day. Could be fun!

In addition to writing this story, Evan Stanley also drew and inked it. Matt Froese helped out with the inking while Josh Burcham did the colors. It is, as you'd expect by this point, a solid looking issue. There's some really good shading in the panels where Sonic and Tails fall into the mine shaft, as the shadows slowly come over their bodies. Once in the cave, the lighting from Tails' lantern and the glowing formations in the cave make for a nicely moody environment. The comic quickly sells how cozy this location is, for its natural inhabitants anyway. The salamander is mostly kept in the shadows, its eyes and scales glowing in such a way as to make it a properly intimidating adversary. Overall, a very nice looking issue.

Ultimately, this is a nice little issue containing a solid story. Will I remember much about it, a year from now? That depends a lot on what lese IDW has planned for 2024. There is certainly something to be said for stand-alone one-offs like this, even if they sometimes feel like unnecessary stop-offs on the way to bigger, flashier events. I'm not going to complain about a fairly taunt 12-pager wherein Sonic kicks a giant salamander in the face. That should be enough for anyone! Once IDW is done fanging and sniping, we'll presumably get back to the on-going plot of Clutch's moles inside the Restoration. Until that point, this proves an appealing enough little snack to hold us over. [7/10]

THE 2023 SONIC THE HEDGEHOG COMIC BEST/WORST LIST!

For years, the “Sonic” franchise continued on almost on auto-pilot, it seemed. We got new games on about a yearly basis but rarely did people like them. The comics continued to be cranked out but nobody but hardcore fans were reading those. However, it definitely feels like things have changed somewhat in the last few years. The movies have been box office hits with wide audience appeal. The new cartoon has generated a fair share of new merchandise. In fact, new merch is all over the place now. While I'm not sure a new “Sonic” game is exactly an event, it does seem to attract more attention now than it used to. 

You can see that this renewed interest in the franchise is having an effect on IDW's “Sonic” comics. This year, the publisher really started pumping out a lot of “Sonic” comic books. In addition to the twelve standard issues of the on-going series, we got five separate one-shot specials, the last issue of a mini-series, and a reprint of the first issue with a bonus story attached. Really took me back to the hay days of the Archie comic, when all sorts of bizarre “48 Page Specials” were coming out all the time. Where any of these comic books especially good? Well, that is what we have gathered here to decide, isn't it? Assuming my opinion means anything to ya...

The issues covered in this retrospective are:

Sonic the Hedgehog (IDW): Issues 56-67

Sonic the Hedgehog: Scrapnik Island: Issue 4

Sonic the Hedgehog: Issue 1 – 5th Anniversary Special

Sonic the Hedgehog: Endless Summer

Sonic the Hedgehog's 900th Adventure

Sonic the Hedgehog: Amy's 30th Anniversary Special

Sonic the Hedgehog: Halloween Special

Sonic the Hedgehog: Winter Jam

BEST COVER STORY:

Daniel Barnes, “Scrapnik Island, Part 4” (Sonic the Hedgehog: Scrapnik Island: Issue 4)

"Scrapnik Island" really feels like it belongs to 2022, since that's when the bulk of the minute series was published. Yet the final issue did come out back in January. And issue 4 of "Scrapnik Island" remains the crowning achievement of IDW "Sonic" thus far. Daniel Barnes' script manages to confront such weighty themes as finding self-worth, fighting through the pain of feeling like a failure, and learning that those who love you are there to help you get pass that. Yes, a comic book about a blue hedgehog fighting a robot hedgehog really did handle some complex, touchy ideas that I think everyone grapples with. And it did it well, being emotional without being mushy and still functioning as an action-packed finale to a compelling story. Through it all, Barnes manages to keep Sonic and Tails in-character, make them interesting, and create one of the book's best cast members in Scrapnik Mecha Sonic. Sorry to the "Endless Summer" one-shot, a really clear runner-up in this category, but issue 4 of "Scrapnik Island" is the best "Sonic" comic IDW has ever published. 

WORST COVER STORY:

Evan Stanley, “Urban Warfare, Part 5” (Sonic the Hedgehog (IDW): Issue 61)

The "Urban Warfare" arc clamors to a noisy smear of various incidents in issue 61. This climax is overly reliant on technobabble-fueled plot points colliding with each other and our heroes stopping the bad guy with special moves. Sonic is sucked into a pocket dimension and then freed a few pages later, off-panel. Shadow just gives himself a power-up and Chaos Controls the problem away. Sonic talks big and dive-bombed Eggman but then just let's him get away. Any sense of heart or character development is lost in this barrage of action beats and plot points, one plot device after another pushing this arc through to its conclusion. 

BEST BACK STORY:

Ian Flynn, “Speed Sightseeing” (Sonic the Hedgehog (IDW): Issue 63)

A pairing we don't see very often in this book is Sonic and Blaze. Yet "Speed Sightseeing," from issue 63, is entirely devoted to the two hanging out. There's not much to the idea of the two speedsters running through a scenic area and talking out their feelings. Yet it ended up working really well. Sonic's philosophy to life is expanded on and we get more insight into Blaze's on-going struggle with work/life balance. There's even a smidge of romantic chemistry here, destined not to go anywhere but adding a little spice nevertheless. 

WORST BACK STORY:

Ian Flynn, the B-plot of issue 62 (Sonic the Hedgehog (IDW): Issue 62)

This is a complete cheat on .y behalf but one I feel justified in pulling. This was right before IDW brought the back-up stories, um, back, but issue 62 already neatly breaks itself into two halves already. Knuckles and Amy returning an ancient Echidnan relic to its proper resting place occupied the first half, even being the plot that inspires the cover image. The second half, meanwhile, deals with the totally unrelated plot point of Clutch talking Mimic into going undercover with the Restoration and everyone just immediately accepting this mysterious "Duo" fellow right into the inner circle. Revealing to the audience that Mimic is Duo, before we even meet Duo, defuses any suspense from that particular plot point. Meanwhile, everyone immediately accepting this new dude into the Restoration without even doing, like, a background check or whatever makes our heroes kind of look like idiots. Do you want moles? Because that's how you get moles. 

BEST STORY ARC:

Evan Stanley, “Dinner at Cream's” (Sonic the Hedgehog (IDW): Issue 65-66)

Well, this is a silly one but ya know what? Sometimes that's what you need. Building oversized action scenes around the utterly mundane task of preparing dinner is a good shortcut to comedic potential. Watching Cream react in horror to Rough and Tumble's break-in also got me to chuckle. Vanilla scolding the villains into repenting is the ideal ending. Yet what makes this bit of slapstick more meaningful is that Stanley makes sure to bake in – pun intended – some touching moments between Cream and Gemerl. Her emotionless robot dad really does love her and wants her to believe in herself! These nuggets of warm-and-snuggly meaning made this bit of fun a stand-out last year. 

WORST STORY ARC:

Ian Flynn and Evan Stanley, “Urban Warfare” (Sonic the Hedgehog (IDW): Issue 57-61)

Considering “Urban Warfare” occupied five complete issues and was, by far, the most action-packed story of the year, one assumes that this was meant to be The IDW's “Sonic” Event of 2023. The story arc has all the makings of a blockbuster, throwing together a large swath of the comic's ensemble into a plot about Eggman's newest, vilest superweapon. And there was an issue, right in the middle, when it seemed like “Urban Warfare” might live up to that hype. Unfortunately, the story totally collapse into sci-fi gimmicks that are rarely justified yet take up far too much space anyway. So stuffed with incident and action scenes, there wasn't much room for the characters or the plot to breathe. 

BEST MAIN COVER:

Sonic the Hedgehog (IDW): Issue 63 – Gigi Dutreix

There weren't too many bad covers this year but there also weren't too many that stood out in a big way. Really nice looking covers like the Amy special, issue 57, or issue 65 were notable more so for their lush coloring than anything else. However, at least one issue really decided to mix things up. Gigi Dutriex's cover for 63 goes in a totally different direction than your standard “Sonic” comic. I mean that literally, as the title runs down the right vertical side of the cover. This, when combined with the visual of Sonic and the gang running down some fire escapes, creates a wonderful sense of motion that draws the eye and gets the reader excited. How expressive everyone's faces are, and the graffiti-style images of Chao and Wisps painting on the wall, add more sugar to the pudding.

WORST MAIN COVER:

Sonic the Hedgehog's 900th Adventure – Tracy Yardley

I almost gave this particular “honor” to the 5th anniversary special for literally just reusing Tyson Hesse's first four covers for the entire series. That is shows some sheer lack of creativity but I guess it gets a pass for mostly being a reprint. What is “900th Adventure's” excuse? Again, a serious lack of creativity is shown in this simple image of Sonic running across a yellow, checker board pattern void. The trails from his legs forming the zeroes in 900 was mildly clever but I still feel like, if you're commemorating nearly a thousand “Sonic” comic books, you could have come up with something a little flashier than this.

BEST VARIANT COVER:

Sonic the Hedgehog (IDW) – Issue 59, Cover B – Natalie Haines

We had a whole precession of gorgeous or adorable variant covers this year, most of them being Nathalie Fourdraine's retail incentive covers. Yet as soon as I saw this one, I fell in love. Natalie Haines' Cover B for issue 59 has got to be one of the most striking images to ever grace any “Sonic” comic book. There's a stillness, a repose, to Shadow as he crouches, an insolent fury burning in his eyes. The vista of androids bearing his likeness stretching out around him, reaching out and bounding him, is given a suitably otherworldly feeling. When contrast with the barren landscape around them and the painterly, detailed colors, it really gives the impression of an ancient, religious fresco. 

WORST VARIANT COVER:

Sonic the Hedgehog (IDW) – Issue 66, Cover B – Abigail Oz

There was a certain temptation to award the Worst Variant Cover title to Jon Grey's alt cover for the “900th Adventure” one-shot. It certainly has the searing colors and colliding together of far too many characters and scenarios. Yet Grey didn't fall upon his usual strategy of sticking ten thousand faces on one cover, showing a great deal of restraint on his behalf. 

So, instead, I turn my critical eye on Abigail Oz' Cover B for issue 66. This simple image of Cream fleeing from Rough and Tumble fast enough to cause her gelatin monstrosity to start to tumble over is rather awkwardly framed. Everyone's poses seems just a smidge unnatural. The proportions seem slightly off, most noticeably in the snow shovel sized area in Rough's groin. There's an overall kind of flat, overly smooth look to everything here, creating a rather bland sight.

BEST STORY ART:

“Urban Warfare, Part 3” – Adam Bryce Thomas (Sonic the Hedgehog (IDW): Issue 59)

Adam Bryce Thomas is reliably one of the best “Sonic” artist around. With the third part of “Urban Warfare – the only part of that arc I actually liked – he really outdid himself. Thomas really adds an epic scope to many of the action scenes here, such as Shadow opening up some Whoop-Ass on his enemies or Eggman making a villainous proclamation. Yet the little character details he includes are also excellent, the looks people give each other or their body language really adding so much detail and richness to this world. 

WORST STORT ART:

“Sonic the Hedgehog's 900th Adventure” – Abby Bulmer (Sonic the Hedgehog's 900th Adventure)

About eight different people did the art for “Sonic's 900th Adventure,” making it by far the most schizophrenic looking “Sonic” comic last year. But most of the artwork was fine, even pretty good. However, Abby Bulmer's six pages really stick out in the worst way. Her characters all look really blobby and cartoonish. As if she's going for maximum cuteness when drawing every single one, even bruisers like Storm or Shadow. Bulmer's backgrounds also seem kind of bland, usually composed of one type of color. I'm not sure Bulmer is the right artist for “Sonic” though she would do great drawing a “Bluey” comic. 

BEST NEW CHARACTER:

Hammer Guy

Once again, IDW “Sonic” is stingy with its new characters. Really, the only notable new character introduced this year was Maggie, otherwise known as Lanolin's purple wisp. And I can't say I really count wisps – or the dozen different Badniks that appeared in the book for the first time this year, according to the Sonic News Network Wiki – as distinct characters in their own right. 

So, in order to find something to qualify for Best New Character, I have to cheat. Because the still unnamed character I am calling Hammer Guy wasn't technically introduced this year. After all, the entire point of his appearance in “Familiar Territory” is based on the brief interaction he had with Sonic all the way back in issue one. Yet Hammer Guy actually got a personality in his second appearance here, getting to detail his history and showing the effect Sonic's one act of heroism had on his life. There's something touching about that idea. That Sonic does shit like this all the time, to the point where it doesn't make much of an impact on him. Yet, to the people he saves, their lives have been changed forever. It's like a positive version of M. Bison's “For me, it was Tuesday” speech. This book doesn't exactly need another fawning Sonic fanboy so who knows if Hammer Guy will appear again. (And if he'll ever get an actual name.) But he definitely ended up with one of the best actual bits of character development this year.

WORST NEW CHARACTER:

Herschel

The only other proper new characters we got in IDW “Sonic” last year were the mischievous pranksters in the Halloween special. The names Brady, Noah, and Rowdy aren't likely to make much of an impression on any “Sonic” fan... But I'll remember Herschel. First off, because he's named fuckin' Herschel. Secondly, because this asshole in a Dracula costume is probably the main reason I didn't like the Halloween Special more. How do you do a Halloween special and make the villain a dweeb like this? We could've had Sonic fight a real vampire! Or literally anything cooler than some theater kid jerk-off who folds the minute the good guys get their hands on him. Disappointed! 

BEST IDEA:

Return of the Back Stories 

Outside of the annuals and the rare one-shot, IDW “Sonic” almost never featured back stories before this year. This year saw the tradition of a “Sonic” comic containing more than one story return for several issues. And do you know what I like about this, aside from it giving buyers more bang for their buck? If gives the characters and their world a little more room to breath. I don't think it's a mistake that the back-stories tend to be more character-driven than the cover story, allowing for slower conversations between our heroes and more chances to flesh out their interior lives. That's always a welcomed addition and I hope the book makes a habit of including back-up stories going into 2024.

WORST IDEA:

Filler

Throughout IDW “Sonic's” entire run, it has been fairly easy to break the series down into various sagas. Metal Sonic, the Zombot crisis, Starline, and now Surge and Kit have emerged as the central antagonist throughout the years. 2023 was not so focused and it let to an unfortunate side effect: Most of the comics published last year felt like filler, stories without too much of a meaningful impact on the book's world, published to pad out the series before it's time to launch back into the next proper arc. The entirety of “Urban Warfare” was very much an example of a standard Sonic vs. Eggman story. It remains to be seen whether Clutch sending Mimic to infiltrate the Restoration will amount to much. Yet, in-between Surge disappearing at the start of the year and returning at the end, it really felt like the comic was just doing whatever the hell it wanted. That's never a great feeling for an on-going narrative to have and left most of last year feeling directionless and unfocused.

Sonic the Hedgehog: Winter Jam

Sonic the Hedgehog: Winter Jam

Publication Date: December 13th, 2023

Now that 2023 is in the rear view window, we can reflect on IDW's decision to trade out the usual "Sonic" comic mini-series with several seasonal one-shots. The "Endless Summer" special was delightful while everything else, the Halloween special and the various anniversary issues, proved far less memorable. The year ended with, naturally, a winter themed one-shot that tied in with the holidays in its own way. Did "Sonic the Hedgehog: Winter Jam" live up to the weird standard of "Sonic"-themed Christmas entertainment? Now is the time to determine just that...

"Winter Jam" begins with Eggman obsessively watching reality TV on a Thomas Newton Jerome-style wall of monitors. This points the villain towards his newest evil scheme. While Sonic and his friends are chilling on the beach during what must be an unseasonably warm December, Eggman drops a giant robot fish on them. The group wakes up inside a studio, where Cubot and Orbot force them to participate in a series of wintery, holiday-themed competitions. Sonic is teamed up with Tails, Amy partners with Cream and Cheese, Rouge is in cahoots with Omega, and Big trails along with Froggy. The prize is a single Chaos Emerald, causing everyone to take this silliness a lot more seriously. 

"Winter Jam" is the IDW "Sonic" debut for a writer named Iasmin Omar Ata, whose graphic novel work I am completely unfamiliar with. Our blue hedgehog franchise has supported a wide variety of tones over the years, from the fairly serious to the totally farcical. Which means different people can have totally different impressions of what "Sonic" is, based on which game, cartoon show, or comic was their first exposure to the series. If I had to guess, I would wager Ata is most fond of the goofier "Sonic" installments. "Winter Jam" most resembles the sitcom-like writing of the "Sonic Boom" TV show. In fact, it's extremely easy to imagine a "Boom" episode with the premise of "Eggman sticks Sonic and friends inside a competitive reality show." Which is not something you can picture so much in the mainline Sega games, the later Archie comics, or even IDW's on-going book. I'm pretty sure "SatAM" Robotnik would just roboticize the Freedom Fighters if he had them under his thumb like this. 

This "Boom" connection is most evident in the way the characters are written. First off, Cubot and Orbot get flashy roles as the presenters of the show, something much more akin to "Boom" than the main IDW book, where they are usually as merely incompetent lackies when they are remembered at all. Secondly, Ata's script really cooks all of the heroes down to their most essential characteristics. Sonic is defined by his fastness, even if that means he leaps into situations without thinking them through. Tails is brainy to the point of being eggheaded. Amy is the girly straight woman, Cream is an enthusiastic but inexperienced kid, Rouge is all about those gems, and Omega just wants to blow shit up. Big is a weirdo comical anomaly, described in-universe as "inscrutable." I'm sure if Shadow and Knuckles were in this issue, they'd be a gruff loner and a super-strong nincompoop. 

You'd probably expect me to be critical of these characters being written in such one-note fashion, especially since the IDW comics works best the more complex everyone's interactions are. Yet, in this case, it works. "Boom," when it was at its funniest, used its sitcom structure and Flanderized characters to subvert the typical expectations of the "Sonic" universe and push the absurdity of its scenarios as far as possible. Unlike the "Halloween Special," where the simplified characterization felt like the material was being dumbed down, everyone here is still very much on-note. They are just a little goofier than usual, which fits a light-hearted holiday special anyway.

This is most apparent in "Winter Jam's" best reoccurring joke. Sonic's super-fast abilities and personality proves to be an ill-fit for these contests. He tangles himself and Tails in Christmas lights. He tears an Eggman doll to pieces with speed friction when he's supposed to be protecting it during a snowball fight. By the time the super cute ice sculpture he made collapses for no reason, this has become a hilariously cruel running gag. During the "Survivor"-style between-games interviews, Sonic grows increasingly neurotic about his failures. Seeing hyper-confident hero Sonic repeatedly humbled, largely through his own quickness, is a good joke. It's subverting what we know about these guys for comedic effect and Ata's dialogue plays it dry enough to make these reactions even funnier. Good job!

"Winter Jam" gets wackier as it goes along, in accordance with typical rules of cartoon escalation. There's unexpected laser beams, a gelatin monstrosity, and an implausible plot twist. The whole thing ends in a massive explosion, which sounds about right. Ata's script has cultivate a goof-ball tone quickly, allowing the comic to get away with increasingly broad sight-gags like this. Any pretensions of seriousness have long since passed by the time the ostensibly plot motivating Chaos Emerald – reality-altering power sources that usually are no laughing matter within this universe – is causally thrown in at the very end. The Emerald is a MacGuffin in the purest sense here. It exists to push the story forward but otherwise has no deeper significance, everything about it being completely unimportant. 

This comic reminds me of an episode of "Sonic Boom" in another way too. It's so quickly paced that there's really not time for anything but the comedic highlights. In fact, the rest of the winter games are relegated to a single panel, which one imagines would have been a speedy montage in a TV show. This "get to the jokes as quickly as possible" structure means the issue misses out on any depth. You'd think Eggman hyper-fixating on reality shows and creating one of his own would provide some sort of commentary on the shallowest of television genres. Nope! Beyond dismissing it all as trash TV – fair – this comic has nothing to say about reality shows. In fact, the contests resemble standard competition programs like "Holiday Baking Wars" or "The Great Christmas Light Fight" than far more tawdry series like "Big Brother" or "The Bachelor" that I tend to think of as archetypal "reality shows." Eggman could have just as easily been stuck on regular old game shows. 

With "Winter Jam" coming out so close to Christmas, this obviously fills the role of a "Sonic" holiday special. Which brings up another criteria to consider: How does this function as a celebration of end-of-the-year festivities? Loosely, to say the least. The first contest involves making a home look festive. Sonic and Tails string red and green lights, Omega blows up some wreaths, and Amy and Cream prepare a feast that prominently features a yule log desert. Eggman's wall of TVs include some easily missed candy canes and reindeer antlers, while a later collection of panels briefly features baubles hung on an evergreen. The end has everyone luxuriating in the magic of snow falling on the beach. Yet this being entitled "Winter Jam," instead of a more specific reference to any particular holiday, is fitting. Things are kept secular, in a way that reminded me of the first "Community" Christmas episode. Merry jolly, indeed. 

In fact, there's barely any reference to even the secular version of Christmas as we know it. There's no Santa, no exchanging of gifts, no decorating of a tree. Sonic doesn't ask Tails the true meaning of anything, prompting a speech about harking angels or being-not-afraid. Considering we open on our heroes unwinding on a snowy beach, outside of the title, there's no way to know if this issue is even supposed to be set during the winter. Maybe global warming has hit Sonic's world too. Or maybe they just live in their equivalent of California, where it's always sunny and breezy. 

This absence of explicit Christmas references makes sense, because why would Sonic and his friends know anything about an Earthly holiday anyway? (This is a question writers of previous "Sonic" holiday specials never felt the need to consider. Or even Sega for that matter, who have produced many images of Sonic doing explicitly Christmas-y stuff.) Yet compare this to the Halloween special, which actually named the October holiday and prominently featured traditions like trick-or-treating, dressing up in scary costumes, and displaying carved-up gourds on your front porch. Sonic and the gang celebrating Halloween as we know it but only participating in generic, winter-themed traditions forces me to come to one conclusion: Sonic the Hedgehog and all his friends are Godless pagans who have never heard of the story of Christ Child nor accepted Jesus of Nazareth as their personal Lord and Savior. My Southern Baptist grandmother would say they were all going to burn in Hell. But I bet Amy throws a bitchin' Beltane bonfire. 

Anyway, enough of my mostly-sarcastic analysis of this children's comic's setting that was clearly in no way intended by the artist. "Winter Jam" is fun! It made me laugh multiple times while maintaining a good grip on these characters and their world. It cooked up some clever and amusing scenarios I hadn't thought of. The art is from Min Ho Kim, who previously did the character designs for "The Murder of Sonic the Hedgehog" and a few IDW covers. The line work is clean and crisp. The characters are expressive and bright. There's even some clever page layouts , such as the dissolve that reveals our heroes on are on the beach or the page where everyone is grabbed by the robot fish. It's not deep but I enjoyed. That's good enough to earn a [7/10] from me. So merry jolly to all you heathens out there. I hope you had a festive and bright December and I'm sorry I'm only publishing this review in January. 

Sonic the Hedgehog (IDW): Issue 67

Sonic the Hedgehog (IDW): Issue 67

Publication Date: December 6th, 2023

Is an action/adventure comic book only as good as its villains? The obvious answer is "no" but the thesis does have some compelling evidence. At least as far as IDW's "Sonic the Hedgehog" comics are concerned. While the series has always been uneven, the presence of Surge and Kit really energized the writing. Dynamic baddies with strong personalities of their own, I felt like the book had finally found its footing once they struck out on their own. And I know I've said that IDW has "found its footing" roughly fifty times since the comic started but I think it's clear that exclusive-to-the-comics characters like these two, Belle, Whisper and Tangle, or Scrapnik Mecha Sonic are the true life blood of this series. Further evidence for this theory occurred when the book's quality started to get really bumpy after Surge and Kit were put on the shelf back in January. There's been decent issues published in that time but the series has felt largely directionless since then, putting out arcs that truly operate like filler. 

Well, I'm still not convinced that the current arc, of Clutch trying to infiltrate the Restoration, is going anywhere especially interesting. But, at the very least, we've got Surge and Kit back. The teenage mutant super-powered tenrec and fennec arrived back on the series with issue 67. Will they actually get some cool shit to do or will Ian Flynn's creative slump continue? Let's look closer and find out. 

The internet tells me that this story is entitled "Second Chances," information that I feel like should really be contained within the comic book itself! Anyway, Sonic is shocked when he sees that Amy is apparently giving a guided tour of Restoration HQ to none other than Surge and Kit. It's soon explained to the blue hero that these two villains showed up at the front door, asking to be forgiven and allowed onto the side of good. Everyone is pretty skeptical but hoping the effort is sincere, as they show the two misfits around the base and expound on their philosophy of forgiveness to them. Of course, this apparent shift in morality is not for-realsies. Surge and Kit are here on a mission of insidious undermining, on the behalf of Clutch. Who promises to reveal information he has on their past if they distract the good guys while Duo/Mimic continues to set-up a hostile takeover from within. 

Narratively, "Second Chances" is a very simple story. In fact, there's almost no narrative here at all. Instead, nearly the entire comic is devoted to Sonic and Amy leading Surge and Kit around Restoration HQ and showing them the various areas and amenities. We get lots of scenes of our heroes taking the Imposters to a different area of the head-quarters, being told what the purpose of each quarter is. While this happens, they also interact with the established cast members of the comic, most of whom are suspicious of the Imposters' professed attempt to turn over a new leaf. This doesn't sound like an especially compelling story and, in execution, it barely is... 

Yet I do think "Second Chances" works, largely by skating by on the built-in personalities of its cast. Watching everyone's reaction to Surge and Kit just showing up like this is fun. Everyone is rightfully suspicious. There's a lot of side-eyeing. Belle comically freaks out and Silver is shocked by their presence too. This is amusing but it's more than a one-note joke. These interactions allow us peeks at everyone's personalities. Belle quickly accepts them, realizing their story has certain parallels to her own. Lanolin is very skeptical but willing to give them a shot. Most everyone recognizes that the Restoration is a volunteer program that functions on giving people second chances. Throughout nearly the entirety of IDW "Sonic's" run, the series has returned to this idea of forgiveness. Sonic even holds out hope that Eggman will someday see the error of his ways and start fighting the good fight. This issue continues that stance, while also creating lots of opportunities for the lovable cast members to be all lovable and shit. Only Whisper refuses to accept Surge and Kit, which matches the grumpy turn she's taken here of late. 

Of course, Whisper is completely right too. Surge and Kit, much like Duo, are here as double-agents. Also like Mimic's deception, this is something the script wastes little time revealing. A few pages in and we know these two are here on behalf of Clutch, intentionally planning to cause trouble. By the end, they are conferring with Mimic in secret, outlining their plan of espionage. Surge and Kit will be constant distractions for the good guys, while Duo continues his operation in secret. Essentially, these two are here to take the heat off the mole Clutch already has within the Restoration. 

While I still think that's sabotaging a potentially decent narrative surprise, Surge and Kit work a lot better in this role. Mimic is never going to sincerely switch sides. He's a cold-blooded murderer and has shown nothing but self-interest in all his previous appearances. Surge and Kit, on the other hand, are more complex. They both have sympathetic backstories. The more we've gotten to know them, the clearer it is that these two really just need some love and kindness to overcome the malicious programming Starline brainwashed into them. Considering Clutch seems to promise that a reveal concerning the Imposters' origins is coming soon, the two finding their way over to the side of the angels through an undercover operation would be a good conclusion to all the building the comic has done on them before. 

Call it the Vegeta Precedence. As this issue points out, "Sonic" is a franchise that largely operates on shonen fighting anime rules, where enemies are often humbled and then join up with the good guys. For a while now, the series has been pointing towards Surge and Kit eventually making heel-face turns. That makes their fake alliance shift here a prelude, one assumes, for a genuine alliance shift further down the line. Will Kit realize that being good feels good, forcing a wedge between him and Surge? Will the acceptance Sonic gives Surge make her question her desire to pummel him into a bloody smudge on the floor? Will the villains become so competent at being Fake Freedom Fighters, that they decide they might as well become Real Freedom Fighters? Or will the comic do something altogether lamer than any of those options? We can't say yet but, at the very least, the foundation is built here for something interesting to happen later on. 

This issue also makes an effort towards correcting a problem I've had with IDW "Sonic" pretty much from the get-go. Namely, the lack of – or perhaps even a stubborn refusal to engage with – world-building. Archie "Sonic" was full of backstory and environmental details, to the point of sometimes smothering the actual characters and stories. IDW has had the opposite problem, where the world Sonic and friends are fighting to defend has been so vaguely defined that you kind of wonder why we give a shit if it's saved or not. At the very least, "Second Chances" provides us with some insight into how the Restoration is actually going about restoring things. The base has a mall and food court, which seems ridiculous. Well, it is ridiculous but Flynn immediately follows this moment up by revealing that everything at the base is supplied by a warehouse. And before you question whether Jewel is a mini-Bezos running her own Amazon sweatshop, it's revealed that all the workers of the Restoration are volunteers. Everyone is doing this out of the goodness of their hearts. It turns out this warehouse is even part of an entire supply chain, distributing goods and necessities to the rest of the world, presumably free of charge. 

This explains some things about Mobius Sonic's world Earth, I guess. Namely, how a culture seemingly made up of small villages with little in the way of industry still has things like cars and chili dog stands and coffee shops. Sonic's world operates on some sort of egalitarian logic, everyone working towards the common good of the rest of the world strictly because it's the best thing for them to do. They manage to do all of this while living in relative harmony with nature, staying in humble communities and not bulldozing forests to make way for massive urban sprawl. 

This goes along with the environmental subtext that has always characterized the franchise, while also making the distinction between our heroes and Eggman more obvious. Eggman is bad because he destroys the world to build his massive cities and engines of conquest. Sonic and his furry friends don't need any of that shit. They can compromise between the needs of the people and the needs of the planet, satisfied with living simple lives. I'm not going to go so far as to call this an actual political statement. It's far too naïve and simplistic for that. Eggman still isn't a capitalist – it's unclear if capital even exists in this world – and that means Sonic isn't actually a socialist either. (Even if that suggestion is still kind of implicit.) I don't think Sonic is going to start wearing a black mask and begin smashing the patriarchy and seizing the means of production. However, it does extend the hedgehog's philosophy of kindness and forgiveness to the entire Restoration. It fleshes the world out some. Even if I'm doubtful this book will get around to providing an actual history, to explain why society is like this, any time soon. 

Alright, I'll stop reading way too much into a children's comic, like I always do, and wrap things up. This is a slower issue but a fairly rewarding one, if only because it can skate by on interactions between the characters. I mean, look at that panel of Kit giving the Orangutan Mechanic the stink-eye! That's priceless. Thomas Rothlisberger's art is strong, the guy giving a lot of opportunities to draw colorful facial expressions and cute little background details. Whether this actually goes anywhere good or not remains to be seen. The book has let me down plenty of times in the past. But, taken on its own, this is an alright issue. I'm going to wait and see. [7/10]