Sonic the Hedgehog (IDW): Issue 75

Sonic the Hedgehog (IDW): Issue 75

Publication Date: December 18th, 2024

As 2024 comes to a close, and the “Sonic” franchise hits another big milestone with the release of its third theatrical big budget movie, a much smaller part of the multi-media franchise has another reason to celebrate. The IDW “Sonic the Hedgehog” comic has reached 75 issues, being in publication for over six years. Once you factor in the various mini-series and one-shots, IDW has definitely published over a hundred “Sonic” related comic books. That’s no small feat for a licensed comic book in this day and age, when the non-DC/Marvel publishers can easily go under and books can get unceremoniously canned for whatever reason. In other words: Assuming there are no massive fuck-ups on IDW’s behalf, or the entire American comic industry goes kaput, the “new” “Sonic” comic is well on its way to being as much of a long-runner as the old “Sonic” comic. I can certainly complain about how IDW’s comic still doesn’t seem as fleshed-out or expansive as Archie’s universe did by this point… By now, however, I’m willing to chalk this opinion up to me being old. The kids who are growing up with IDW “Sonic” probably consider this series as beloved and compelling as I did with the nineties comics at that age. 

Issue 75 is also the much long await – by me anyway – conclusion to the Clean Sweepstakes story arc, playing out over a double-length issue. Deep within the heart of Clutch’s air ship, Tails, Amy, Belle, the Chaotix and a few other people attempt to escape the engine room as the entire vessel is on the verge of exploding. Sonic races to the deck of the ship to face Clutch one on one, soon being joined by Surge, Kit, and another unexpected ally. The Babylon Rogues lead an impromptu rescue mission to prevent the massive ship from crashing right into Central City and killing untold numbers of people. The Diamond Cutters, meanwhile, realize that “Duo the Cat” is actually the shapeshifter Mimic, Lanolin finally putting aside her differences with Tangle and Whisper. It all wraps up in a giant fireball at Restoration HQ. 

Issue 75 starts with a decent idea. The self destruct sequence on the air ship has been started. This means all of the heroes aboard the boat have an ever-shrinking window to escape before it explodes. That’s a good way to keep the suspense high in the final leg of a storyline. Unfortunately, Evan Stanley does not stop there. This is a flying ship after all, meaning it’s plummeting towards the city. Before the issue is over, the flying race-track also begins to fall out of the sky. In the last third, the focus turns towards Sonic and Jet racing to get as many people out of Restoration HQ as they can before it also blows up. In other words, issue 75 begins with the characters on one deadline before continuously adding several more. It plays like a desperate attempt to keep the intensity rising. 

What it mostly ends up doing is making this comic book feel like it’ll never end. Typically speaking, a dramatic countdown to a big-ass explosion marks the story heading towards its most exciting moment. That’s what it meant in “Alien,” for one prominent example. However, this comic book repeatedly trying to outdo itself mostly means the story feels like it has about three different climaxes. Sonic, Surge, and Kit have a big fight with Clutch aboard the deck of the ship. Would that be where you’d expect this story to end? Instead, the threat of the air ship crashing and exploding takes precedence. Surely, that would represent the end of this particular plot? What’s more exciting than a big-ass thing going up in a big-ass explosion? Instead, the focus then shifts towards the rescue mission of all the Restoration staff, which hits a few snags of its own. 

Maybe Stanley giving this issue multiple logical end points before moving on to another is because issue 75 isn’t only the conclusion to the Clean Sweepstakes arc. In a lot of ways, this installment feels like the writer trying to put as many plot points to rest as possible. After what feels like far too long, “Duo the Cat” is finally discovered to be Mimic. Before we’re done, Evan also has Belle repair her little MotoBug friend. I have the creeping feeling that editorial demands this storyline get stretched out to conclude in the anniversary issue. At the same time, I feel the same force demanding this one feature some big reveals, hence the above events. Obviously, in order to cram all this shit into one comic book, it means Stanley resorts to her worst habit as a writer: Having far too many characters involved in far too many situations, constantly cutting back and forth between them as much as possible. It does not make for the most organized feeling read. 

What further causes issue 75 to feel double-stuffed is that the comic isn’t only resolving multiple plot points across a story that keeps barreling towards bigger pyrotechnics. It also shoves in a few twists and teasers. Eggman inserts himself into this story, after being absent since the first part, in an extremely gimmicky fashion. Yeah, turns out the hovercraft he built Sonic is a fucking Transformer and this was all part of a long con to get back at Clutch. Meanwhile, Surge and Jet both separately promise to Sonic that they’ll resolve their rivalry at some unspoken future date. This occurs after Surge deploys a big special move of her own. Because that’s exactly what this storyline needed: More characters and more superpowers. It’s almost impressive that this particular arc has managed to feel both far too long and not nearly long enough. It’s dragged on for multiple issues while also shoving in one event and reveal after another, none of them feeling properly fleshed out.

At least it has an ending though. As much as the structure and pacing of this issue bugs me, at least we won’t have to deal with a few stupid plot points anymore. First off, all that convoluted Phantom Rider business and the corresponding race is finally, thankfully done for. This issue also puts the extremely dumb Duo the Cat storyline to bed. Not that the Diamond Cutters finally figure out the very obvious deception at play here. “Duo” forgot to turn off his cell phone and Clutch refers to him as “Mimic” in front of everyone, blowing his cover. This sequence also involves Lanolin realizing that she’s been acting like a bitch and apologizing. Whisper apologizes too, though I’m not really sure why she felt the need to. In fact, this comic has Surge and Jet both coming to agreements of sorts with Sonic. Somehow, time is also found her to have the Hippy Orangutan Mechanic be nice to Belle and presumably settle any tension between them. As if Stanley is desperate to have the fandom stop hating these characters that they’ve been trashing lately. (Okay, I don’t know if anyone else but me dislikes “Chief Mechanic” that much but, still, the point stands.) 

The end of the issue also seems to see Rough and Tumble joining the Restoration, or at least promising to be less evil in the future. If Stanley was going out of her way to provide some sort of redemptive moments for characters that have behaved badly, she does not extend that gesture to two other characters. No, Mimic remains as incapable of redemption as possible. Clutch, meanwhile, is painted as more of a bastard than before. He somehow proves to be a physical threat to Sonic and Surge, at least via implementing firearms of varying size. He also references having killed other heroes in the past. IDW has constantly emphasized the idea that nobody is beyond rehabilitation in Sonic’s eyes, to the point that he’s allowed Eggman to escape capture in the past. Surge and Kit are clearly working their way towards heel-face turns too, though they aren’t quite there yet. However, it seems that Stanley considers professional assassins and businessmen/mob bosses particularly beyond redemption. She wants you to know that these two son of bitches are too ruthless to ever change their ways.  

That these two villains are utterly unforgivable does feed into what is, I think, the moral of this particular issue. Jet and the Babylon Rogues don’t move the falling air ship single-handedly. They direct a bunch of citizens to pitch in, using their own flying vehicles to pull the ship out of the path of the city. There is an extremely awkward line of dialogue, where Nite declares “Power to the people!” This goes hand-in-hand with the final sequence, of Jet rushing into the burning base to rescue whoever he can. The obvious idea is, anyone that is willing to help other people can be a force for good. That means the average person can be “powerful” and a former scoundrel can turn over a new leaf. It’s a nice idea and all but feels somewhat shoved into an already overstuffed issue.

Let’s go back to Surge for a minute. Her progression, from villain with a grudge who wants to see the whole world burn to someone realizing it’s possible for them to be loved, has been the brightest spot among all the racing and double-crossing. The payoff to that particular arc ostensibly occurs when Surge helps beat the shit out of Clutch, after announcing that she’s quitting. She’s no longer going to let assholes talk her into doing stuff that’s against her heart, the same conclusion she came to after Starline bit the dust. However, Surge awkwardly exits the story after that incident and she’s not even the one who takes Clutch out. Instead, it seems as if Jet gets the moment that logically should be her’s. He puts aside his own petty goals – of beating Sonic in a race – for the greater good. He leads the charge to redirect the falling, about-to-explode cruiser from above the city. Sonic appeals to his ego and goads him into helping save everyone in the Restoration. In other words: Jet stops acting selfishly and starts doing the right thing because it’s the right thing to do. It feels like that’s the direction Surge should have been going in, instead of limping away half-way through the issue. 

With all the talk of explosions, murder, and possible death, issue 75 strikes me as mostly a fairly grim one. Perhaps Stanley was aware of this too. To counter that, several scenes of wacky comedy is inserted throughout. Rough and Tumble realize they’ve been staying inside a cage that was already unlocked. Sonic splays against the windshield of the air ship. Clutch’s security team insists they are on their break when called to action before abruptly quitting. None of these moments made me chuckle. In fact, they struck me as feeling extremely out-of-place. When things are as intense as they are in this issue, wacky slapstick and jokes about the big dumb guys being dumb do not feel especially needed.  

It’s a frustrating end to what has been a frustrating storyline. Min Ko Him’s art is good, with lots of flowing action scenes and expressive faces. You can tell he really loved to draw that giant robot that randomly appears for a few pages. He also includes what I assume are more fan-made O.C.s in various crowd shots, including one that looks an awful lot like Old Man Owl from the OVA. The final page sets up events for the next issue to follow, presumably setting up the next storyline. Hopefully that one won’t stretch on for six issues nor be bogged down by the need to both include as many characters as possible and have them all contribute to the story somehow. We know “Sonic” has a hundred characters. We don’t need to see them all! Frankly, I’m glad to be done with the Clean Sweepstakes. Let us put away our Extreme Gear for a while, please. [5/10]

Sonic the Hedgehog (IDW): Issue 73

Sonic the Hedgehog (IDW): Issue 73

Original Publication Date: September 18th, 2024

Am I the impatient one here? As I crack open the brand new issue of IDW's "Sonic the Hedgehog" comic, all I can think is "Are we still doing this racing thing?" This is the fifth issue devoted to this particular storyline. And we've got two more installments of this shit left to go, as IDW editorial is truly determined to drag this out until the next anniversary issue. That means, by the time this plot finally concludes, exactly two story arcs will be resolved by the end of 2024! I thought races were supposed to be over quickly? This is why I'm of the opinion that comic storylines should never extend past four issues. A racing arc is a lot like a fighting tournament arc: It's fun for two, maybe three months. After that, we are ready for an installment not concerned with an unimportant competition and instead with some real stakes. 

Of course, Evan Stanley and her team certainly want the Clean Sweepstakes tournament to have some real stakes. As with the last two issues, #73 is simply jammed packed full of incidents. The racers prepare for the final leg, a leap off a floating platform into a free fall towards Central City. Like clockwork, the Phantom Rider shows up to cause trouble. The security team is ready for him, this time. Surge grabs the Rider's transformation gizmo, revealing to the public that this criminal is – sacre bleu! – Sonic the Hedgehog! Of course, Tangle and Whisper knew this already but didn't see fit to tell Lanolin, leading to some trouble of their own. Meanwhile, Amy, Tails, and Belle are still running around that fucking ship. They somehow run into Don the Rooster who then leads them to the imprisoned Chaotix. Sure, why not? Even more meanwhile, Jewel finally realized that Clutch is making off with the Restoration right under her cute little olive nose, causing the supervillain to stop fuckin' around and finally going on the offensive. 

Yes, if the above plot synopsis didn't make it clear, this is another issue that doesn't have much in the way of pacing on its own. Instead, once again, Stanley wastes another month by having a collection of subplots spin their wheels for several pages. Surge trying to get back at her shitty boss and prove her heroics moves forward a little bit. Amy, Tails, and Belle screwing around on Clutch's battleship inches ahead. There's a brief acknowledgement of Jet's ongoing rivalry with the Phantom Rider, without that storyline actually advancing any. If Stanley had decided to focus on one of this plot points, we might have had a compelling ongoing story that actually feels like it's moving. Instead, this shotgun blast approach to writing means so much is happening in this comic book without bringing us significantly closer to any sort of proper conclusion. Does Evan know that story arcs have, ya know... Parts? It's not one long narrative broken up into random intervals and spaced out over seven fucking months! 

Sorry if I'm coming off as cranky here. I'm having a hard time looking past how disorganized and sluggish this storyline devoted to, ironically enough, a high-speed race has been. The sole plot thread keeping me invested in this rambling mess of a soap opera has been Surge coming into her own as a hero and an independent thinker. After Clutch tried to put the tenrec in her place during the last issue, she takes the fight right to the Phantom Rider. She reveals his secret identity to everyone on national television. The issue tries and plays this as a big triumphant moment, of Surge getting one over on a rival, proving her strength while also somehow sticking it to Clutch. And how exactly is that the case? If Surge's character development over this storyline has seen the once villain realizing that being beloved, instead of hated, has benefits of its own... How do these events follow that progression? I mean, it's certainly in keeping for Surge's personality to act impulsively and start wildly attacking people when she doesn't know what else to do... But she wrestles with and shocks Tangle, a beloved member of the Restoration, during this moment. This will presumably not make her more popular with people! However, Stanley is working so hard to get that epic anime moment of Surge snatching Sonic's Power Morpher away from him that any sort of logic or reason goes out the window. It's never a good thing when you have to put the comic book down for a second and think out loud to yourself "Why is this character doing this?"

Sonic having his cover blown on what is, presumably, the Mobian equivalent of the Super Bowl would be, from any traditional perspective, the big moment in this issue. That would be a dramatic panel to leave us readers on, don't you think? Oh no, this new supervillain that has become the biggest menace to, uh, hoverboard racing has been revealed to be, in fact, the planet's greatest hero! Instead, Stanley sticks this moment in the middle of the book in-between a number of other plot developments, where it quickly gets lost in the shuffle. We only get the briefest glimpse at the viewers at home reacting to this shocking event before the book shifts focus again to something else, meaning the impact is not felt at all. 

Instead, the big cliffhanger this issue is devoted to Clutch personally sending his goons after Amy, Tails, and Belle As deep within the bowels of his ship. Another goal of this particular story arc has been, I think, to make Clutch into a major villain in the "Sonic"-verse. However, I can't say my opinion of Clutch has changed any over the last few issues. Instead, what this particular event has convinced me of is that Jewel the Beetle should not be leading the Restoration. Issue 73 kicks off with Jewel confronting the possum, having finally figured out that he's up to no good Maybe it's because I, as a reader looking down on this events from beyond the fourth wall, already know that Clutch is a bad guy. However, that it took Jewel this long to stand up to the obviously evil guy dressed like a cartoon gangster only makes her seem lacking in perceptive. As the leader of the Restoration, shouldn't Jewel have intel all over the world? Shouldn't she have known from the beginning that Clutch was anything but a moral businessman? The fact that the villain was allowed to get this deep into his scheme without being called on it doesn't make him seem powerful and intelligent. It only makes the good guys look easily fooled. Considering this is the third time in recent memory that a clear enemy has walked into the Restoration and said "It's okay, you can trust me," maybe they are, in fact, idiots. 

Sometimes, it feels like the only way Evan Stanley knows how to make a story feel big and important is by including as many characters as possible. "Urban Warfare" was held back by the sheer number of characters, of perspectives, it had to include. As the Clean Sweepstakes plot has gone on, Stanley shows she hasn't learned from that mistake any. This arc has actually introduced more characters as it's gone along. Last issue brought Nite and Don into it. Don – who, I feel compelled to point out, is a janitor – gets directly involved in the action here, helping Amy, Tails, and Belle out. When Belle asks him "Who are you again?," that feels like a reasonable question. Amy almost smashes him with a hammer at first, because she doesn't truly know him or have any reason to trust him. However, Stanley has decided Don is important to this story so now he's a part of it, another cog introduced in the vast, disorganized machine that has become this story arc. 

Oh yeah, Don knows the Chaotix too, did I mention that? Yeah, the detective trio are now involved in this storyline too. It would seem that Clutch has had the three of them locked up in a cage inside the Krugerian boiler room deep within his flying battleship. Did we know this information? I can't remember at this point. Last time we saw the Chaotix, weren't they playing with some flowers? Somehow, I don't think it's a good thing when a comic book requires you to have a mental flowchart of where all the characters are at all times. Anyway, Vector has a thumb drive full of all of Clutch's dirty laundry, something the villain didn't think to take away from him the entire he's had him imprisoned. Yes, five issues deep into this plot, we're finding out that the Chaotix have been important characters to this story the whole time. If only comics were a visual medium and there had been some way to convey this information to the reader before now... 

Sorry if this issue put me in a crabby mood. The truth is I didn't totally dislike this one. The saving grace for the last few issues has been the little character moments Stanley has sneaked in between all the stuff happening. There isn't much of that here. However, when Jewel comes to Tangle and Whisper to talk to them early in the issue and the lemur gives her old friend a great big hug? Yeah, that was adorable. There is plenty of good artwork on display too. I ultimately didn't find Sonic and Surge's rumble here all that rewarding but Min Ho Kim assures that it looks cool. If the big fight between Surge and "The Phantom Rider" is the main reason this issue exists, at least there's plenty of exciting visuals. Though it probably says a lot about how meandering this plot has gotten that the thing I've seen people discussing the most about this issue is all the O.C.s Kim hid among the various crowd scenes. I like the bluish fox thing with the fancy anime gloves we see hanging out at the starting line or the girl with white and blue bangs and a black Chao sign seemingly trying to avoid a bad date in the bleachers. 

The longer this race stretches on, the more convinced I am that this entire story should've been about Surge grappling with becoming a beloved hero. I don't care about Clutch's criminal empire being exposed. I don't care about Sonic's identity as the Phantom Rider being revealed. I really don't care about whatever the hell Amy or Jet or Lanolin or Don and Nite or "Duo" have been doing during all of this. And I absolutely do not care who wins the race! Wasn't that what this storyline was supposed to be about to begin with? It's hard to remember now. People seem to be enjoying the high-speed action scenes and large cast in this arc, showing me once again that "Sonic" fans are not concerned with things like narrative structure or pacing or whether you care about the plot. Am I a bitchy old man or does this fandom deserve less? No, it's the children that are wrong. [5/10]

Sonic the Hedgehog (IDW): Issue 72

Sonic the Hedgehog (IDW): Issue 72

Original Publication Date: August 28th, 2024

 

I often refer to "Sonic the Hedgehog" as a multi-media franchise because that's exactly what it is. The fast blue rat exists as a video game series, a comic book long-runner, various animated adaptations, popular blockbuster movies, and a horde of merchandise. The nature of this multi-branch structure sometimes means "Sonic" stuff ends up competing with other "Sonic" stuff for the audience's attention. I had completely missed that a new issue of IDW "Sonic" had come out last Wednesday. I assumed this was simply because I was knee-deep in preparing for my two month long horror movie marathon over at my other blog. Upon second thought, I had seen zero chatter about issue 72 in the various "Sonic" fan communities I participate in. What other hedgehog news happened this week? Oh yeah, the trailer for the star-studded, multi-million dollar new movie. I'm sure the new comic being released two days after the "Sonic 3" trailer was a complete scheduling fluke. If IDW was hoping hype for the new film would draw eyeballs to their comic, it seems the opposite is true. Any discussion of issue 72 has been totally overshadowed – pun! – by the trailer drop. Luckily, there's always time to catch up. 

Where is the Phantom Rider/Clean Sweepstakes story arc taking us this month? Surge and Kit express their desire to quit Cleansweep to Clutch, who essentially laughs their announcement off. This enrages Surge so much that she generates a massive lightning storm above, at the same time a horde of flying car traffic is passing by. Coincidentally, Sonic is lurking around in the same traffic jam, his disguise malfunctioning. The Babylon Rogues swoop in, redirecting traffic in the storm and playing hero in hopes of rehabilitating their own public image. At least until Jet spots the Phantom Rider and that hyper-fixation takes over. Sonic is rescued by an unexpected ally: Nite the Owl and Don the Rooster, who also happen to be in this same traffic jam. 

In my review of issue 71, I referred to the current on-going arc as a collection of subplots all acting in their own lanes. Perhaps Evan Stanley was feeling that weigh on the plot too, fearful that it might collapse under the weight of so much happening at once. Her solution to bring some of these threads together in this issue is inelegant. Surge getting mad at Clutch results in a thunderstorm, that Sonic and the Rogues and Sonic's rescuers all happen to be caught in too. If this was depicting as Surge's atmospheric freak-out being so powerful, it stretches over an entire metropolitan area, that would be one thing. Instead, it seems almost all the current plot lines come together in the same spot by sheer coincidence. What makes this massively convenient fluke more frustrating is that it does little to push the overall arc forward. The last issue felt like the buffer between the middle of the arc and the finale. This issue feels like... More of that buffer. How much longer are we going to watch these various divergent plot lines bounce around each other before they come together for some sort of satisfying whole? 

This frustration is most felt in Sonic's portion of the issue. What does the blue hedgehog actually do this month? He lurks around a traffic jam, trying to hide his face. He has a brief interaction with Jet before getting yanked into Nite and Don's Space Winnebago. They talk and, after Don patches up his Henshin-A-Go-Go gadget, then he leaves! While forcing Sonic into a double life was interesting at first, now it's clear that isolating the hedgehog from his friends has also isolated him from the flow of the rest of the story. This issue feels as if everything is happening around the hedgehog. Which is not a great position for the titular hero to be in. 

If I were to be cynical for a moment – something I never am – I would say this sequence is only in the issue for strictly commercial reasons. First off, you've got to have Sonic the Hedgehog do something in the book with his name on the cover. The fans who complain about the comics being nothing but the author's O.C.s doing stuff will get mad otherwise. This sequence also allows an issue otherwise focused on character development to have an action beat early on. The minute Jet sees the Phantom Rider, he deviates from his plan and chases after the guy. It's the briefest struggle and there's a longer fight scene in the issue's back half. The feeling that Stanley is trying to make Jet and Sonic's rivalry a major lynchpin in this arc is starting to become a little sweaty. She wanted to do a racing arc and, if you're doing that, the Rogues have to be there. But the Rogues aren't that interesting on their own, so Stanley has seized on Jet's obsession with Sonic to beef up that particular corner of the story. However, you can always tell where Stanley's interest actually resides. And it's not with Jet's raging hate-on for Sonic. 

The rambling point I'm making here is... This scene feels like it's in this issue because it has to be. There has to be an action scene within the first few pages. Sonic has to do something. If the Babylon Rogues' dedicated plotline, of trying to reinvent themselves as heroes the way Surge and Kit have, went anywhere, this would feel less intrusive. It doesn't though. Jet is still determined to chase Sonic until the ends of the Earth and the hedgehog is more annoyed by it than anything else. The moment where Wave feels unappreciated that ego maniac Jet never allows her to take any credit for her ideas is the sole moment here that catches my eyes. Will that go somewhere? Will Wave become so fed up with Jet's bullshit that she leaves the team? That would be a good end to this story, Jet's obsession growing so great that the closest people he has to friends abandon him. I kind of doubt that will happen though. Would Sega allow Stanley to break up the band, even temporarily? Feels like that would violate their unified brand vision or something.

While you can feel the author struggling to make compelling fiction out of this part of the story, she's clearly more invested in other parts. Namely, and perhaps unsurprisingly, the comic exclusive characters that she's more-or-less defined. Surge continues to be the beating heart of this saga. Last month, an enthusiastic fan made Surge realize that she didn't have to be bad to be loved. This month, she stands up to Clutch, tells him to take this job and so on. He immediately fires back that the public coming around to love Surge was his work. He gave it to her, he can take it away. Being the angsty little marshmallow she is, Surge immediately has to have a temper tantrum about it. Has to bemoan how someone is always trying to control her. Kit gives her a big hug and it's absolutely fucking adorable. I do wonder why Surge wouldn't just shock the shit out of Clutch and call it a day. I suppose his villainous monologue is very convincing to her. Considering part of her thundering rage involves screaming how no one can tell her what to do, hopefully she will find a way to rebel. Still, I love when this unhinged psycho bitch shows her soft, squishy, vulnerable insides. There's no doubt in my mind at this point that Surge is one of the most psychologically fleshed-out characters in this entire series. 

This scene serves another purpose too, besides making all of us want to give Surge another hug. The longer the Clean Sweepstakes event goes on, the clearer it becomes what one of Stanley's big goals with this narrative were: To properly establish Clutch as a major villain. He's been floating around the sidelines for a while, being all untrustworthy and shit. Now he's making his big plan to rob the Restoration. The scene with Surge and Kit, meanwhile, show personally devious this guy is. He manipulates Surge perfectly with only his words, looming over her and breaking her will with a simple statement. When Starline would monologue at Surge like this, it worked. He "created" her, after all. I still don't 100% buy Clutch as a mastermind, high-ranking bad guy. He still seems like a petty crook trying to break into the big leagues. The comic needs to have him do some real bastard shit – engineer a public crisis, kill someone, run for public office – for me to see him as a truly S-tier antagonist. The comics have yet to develop him much beyond mildly foppish crime boss. Stanley clearly wants Clutch to be the Kingpin of the IDW Sonic-Verse but he still strikes me as more like the Crime Master or Big Man or whichever D-list Spider-Man villain best fits this metaphor. The narrative supports the idea that Clutch has graduated from wannabe to major threat but he still feels more like the latter to me. 

This issue also provides a chance for Evan to write two of her other creations into this on-going. Nite the Owl and Don the Rooster have been present since the Metal Virus Saga. Previously, I had no strong feelings about them one way or another. Don's grumpiness is mildly endearing. Nite's indefatigable peppiness is slightly annoying. However, these two didn't seem to fill any role other than a radio DJ and his sidekick. They added some color to the world but I didn't have any desire to know more about them. Why couldn't Kit the Capybara been the minor supporting character to take off? This latest appearance does give us a peek into Nite and Don's lives. Turns out the owl is a secret informer for the Restoration and they own a van together. (No word yet on if it resides down by the river.) I guess that means we'll be seeing more of these two guys in the near future, not only when Nite comes out of a goddamn up-tempo record when he has to talk about a fucking dog dying. 

Oh yeah, also, they're gay. Speaking of coming out! I mean, I guess Nite referring to Don as “my dear” could be totally platonic but the goo-goo eyes he gives the rooster in the same panel suggest otherwise. I had some vague recollection of some word-of-God confirmation that these two are lovers but doubted it would make it into the actual comic in any significant way. Revisiting the Tumblr post where Evan dropped this lore nugget confirms that these two are canonically a couple and have been from the beginning. As far as representation goes, this is still very subtle. It's not like they are pressing their beaks together in an awkward attempt to replicate kissing.. Considering how coy the comic has been with confirming Tangle and Whisper's really, really obvious relationship, it's nice to see these two being out and proud. That gay characters are allowed to exist in this universe without anyone drawing attention to it. (Though did Stanley consider the implications of making the “Sonic” universe's first confirmed bara a literal cock? Lol.)

Somehow, this does not cover all the fucking subplots in this issue. I still am not sure what timeline Tails, Amy, and Belle are operating on in comparison to the rest of the events. However, here they rush towards Jewel's office only to be stopped by the Cleansweep mascots, soon revealed to be Rough and Tumble in disguise. There is one adorable moment here, when Belle puts two-and-two together and realizes she's made a big mistake. However, this particular series of events still feels like it's being dragged out way too long. That Jewel doesn't hear the fisticuffs going on right outside her office is explained by her having some headphones on, which is very contrived. I'm beginning to think Evan is not great at actually pacing out her storylines, especially when there are multiple threads to juggle. 

Despite having some big problems, I still enjoyed this installment. Once again, the little character interactions end up saving the day. Surge having her wangsty cry session and Kit comforting her – and even Nite's tiny act of affection towards his boyfriend – make these convoluted action/adventure events feel a lot more meaningful. I would rather the forward momentum of the plot and the emotional events of the cast feel intertwined... But considering all the bad “Sonic the Hedgehog” comic books I've read over the years, I'm simply pleased that one of those elements exist. It looks like IDW is going to stretch this particular arc out for at least three more issues. Guess I better get used to complaining about all these subplots competing for time and attention. [6/10]

Sonic the Hedgehog (IDW): Issue 71

Sonic the Hedgehog (IDW): Issue 71

Publication Date: July 31st, 2024

The internet moves so fast these days. The biggest movie of the summer comes out and, two days later, clips of it from shaky cellphone bootlegs are all over social media. A new installment of a comic book drops and the fandom is already overturning all its events within a few hours. All the surprises get spoiled immediately. If you don't read the book the minute it comes out or see the movie the day of its release, all the cool shit is going to be ruined for you. People used to care about spoilers around here! This is a long winded way of me saying that I didn't get a chance to read issue #71 of IDW's "Sonic the Hedgehog" comic until today, two days after it was released, and I already felt like I was massively behind. I don't know what this says about fandoms in the year 2024, that nobody can wait to discuss things politely, all of us operating under the assumption that everyone has immediate access to everything. Perhaps it speaks to the unrelenting speed with which all aspects of our culture move in a world where the internet rules our lives...

And you know what else is fast? Sonic the Hedgehog! Let's talk about his comic book! The Clean Sweepstakes race continues, the participants moving through a misty valley full of dangerously steep mountaintops. To add to the danger, participants can now sling dodgeballs at each other. Naturally, the Phantom Rider makes an appearance, acting even more antagonistic than usual. This is a surprise for Sonic, who is in disguise and lurking on the sidelines. Yes, Mimic is trying to add to the confusion and chaos. The shifty octopus ends up revealing Sonic's identity to Tangle, Whisper, and the Babylon Rogues. The groups consider what to do with this information. Meanwhile, Surge and Kit continue to ponder their newfound popularity while Tails and Amy come uncover the truth. 

Issue 71 is one full of action and incident. The meat of the comic is occupied with all the contest, the Phantom Rider's appearance once again immediately causing chaos and violence on the track. This guy is so distracting that his appearance instantly draws attention away from the race itself. Who cares about that when we have a masked villain creating mischief? The high stakes lead to a number of dramatic reveals, Sonic's cover being blown. Meanwhile, Amy and Tails rescue Belle, who accidentally reveals that Clutch orchestrated this entire event for shady reasons. What I'm saying is there's a lot of stuff happening in this issue. 

You would think the suspenseful action/adventure antics would be what is driving fandom discussion around this issue. That is not the case. Instead, it is some quiet character interactions that prove to be the most compelling aspect of this comic. When Tangle sees Sonic's face behind the Phantom Rider's mask, she's stunned. How can the Restoration's greatest hero be secretly operating as such a public nuisance? That's when Whisper shows her some video she recorded with her mask – a very convenient development, I'll add – that reveals there are two Phantom Riders. Tangle is overjoyed, since this suggests Sonic might not be a crook after all. Even though this conversation is largely plot focused and centered around another character, Tangle and Whisper's closeness makes this moment so much more interesting. It feels like Whisper is, once again, showing her vulnerability and Tangle, like always, embraces her. That gesture makes it clear that Tangle accepts her, no matter what, and that is fucking adorable. I love these lesbians. 

As utterly endearing as that moment is, another scene is even better. After the action is over for the day, Surge and Kit are approached by an adorable moppet. The kid fangirls all over Surge in that adorably kid-like way. Once again, it gives Surge pause. This is what Evan Stanley is good at as a writer: Showing the little ways characters can evolve and grow. Surge has built her whole life around this image of herself as a ruthless bad-ass with no use for society's rules. She's the definition of "acting out for attention" taken to supervillain extremes. Now she's getting praised for being a good guy. She's learning she doesn't have to settle for "If you don't love me, you'll hate me instead." Quietly, she's starting to question her whole personality. Character development happening, right before our very eyes! That this is spurned in by a child – who is as friggin' cute as they could possibly get them – makes the interaction more precious. Acts of unprompted kindness mean a lot to someone bred for cruelty.  

If Stanley has a real talent for characters interacting, her plotting still feels a little obvious and slapdash at times. From the moment "Duo the Cat" showed up at Restoration HQ, I've been waiting for someone to point out how suspicious he is. This has been followed by Jewel letting barely reformed criminals Surge and Kit into the club, before participating in a public event orchestrated by obvious criminal Clutch. At the very least, our heroes seem to be catching on to what is happening. Belle helps confirm Amy's suspicion that Clutch – who looks and acts like a child's cartoon imagining of what a crime boss looks like – might actually be a crime boss. Mimic mucking about with the Phantom Rider is a plot point I don't feel entirely satisfied about. However, it does feel like a step towards that particular storyline reaching a head. Hopefully we are getting there soon. 

The strengths of this issue cover up its biggest flaw, which is that this arc hasn't been much more than a chaotic jumble of subplots. Stanley is doing a much better job at juggling the large cast amid elaborate action scenes here than she did in "Urban Warfare." If only because the rest periods between races allow for a natural breathing room. However, we are still being asked to follow, by my count, between four and six different storylines at this moment. All of these divergent plot points are obviously being set up for a bigger resolution, within the next issue or so. Yes, this is another comic book primarily about setting up future comic books. It's not bad, necessarily, but sometimes you can feel the gears moving a little more than perhaps you should. 

With so much going on, some storylines will clearly be focused on over others. Sonic got some juicy emotional scenes last issue. In #71, he doesn't do much of anything because get punked by Mimic while buzzing around on his floating cheese wheel. Though there is a neat panel, where we see half of his face through the Phantom Rider helmet, that reminds me of a trick they would pull in old Spider-Man comics any time Peter Parker felt his secret identity was in trouble. 

I also question the timeline here a bit. Issue 71 picks up immediately on the cliffhanger issue 70 ended on, with Tails and Amy discovering Belle bound and gagged in a locker. After that initial moment, the other tendrils of the story continue. Which makes me wonder how long Any and Tails have been on the supply ship? It sort of seems like two days have passed in-between scenes there. Further more, how much longer are they going to be stuck up there? All the other plot threads are advancing at a normal rate while Tails and Amy are moving in snail time. 

Temporal paradoxes aside, Stanley continues to successfully chip away at my indifference towards Jet and the Babylon Rogues. I still don't think I'm particularly invested in this trio. However, playing up the burning jealousy Jet feels towards Sonic is a compelling angle to explore. When he discovers that the person he considers his greatest rival is behind the mask of this wanted menace, Jet goes into a more scheming mode. He clearly has his eye not just on defeating Sonic on the racetrack but also torpedoing his public reputation. If the focus continues to be on Jet's obsessive desire to be better than Sonic, he might become a genuinely interesting villain yet. Anybody else imagining some Robert DeNiro-esque backstory for Jet now, where he is a former Sonic fanboy whose admiration turned to a dangerous fixation? Just me? Alright, good to know. 

It's a good looking issue too! Min Ho Kim on pencils and Reggie Graham on colors are becoming a very reliable team. Belle's flashback have a cool, gritty filter over them. The use of mist and shadows during the mountain chase sequence are especially nice. Adds a fittingly spooky vibe to that sequence. Kim's facial expressions are very strong too. The little look Surge gives Kit after the kid talks to her conveys a lot of conflicted emotions. (Though the Babylon Rogues going full Big Mouth Billy Bass every time they are shocked is perhaps a bit much.) The issue also ends with a surprisingly creepy close-up on Clutch's face. I do wish the fight scene between Tangle and Whisper and Surge and Kit – oh yeah, that's a thing that happens too – was a little clear. There's a few too many blue, translucent superpowers in that scene. Gets a tad confusing. 

While I don't think this issue is as strong as the proceeding one, the parts are greater than the whole here. The page devoted to Surge and the kid, or Tangle and Whisper's cuddle time, are absolutely precious. They are so good that they elevate the rest of the book around them. Whether Stanley can carol this collection of subplots towards a satisfying ending remains to be seen. Honestly, I'm skeptical if she'll be able to. However, this particular arc has been worth it solely because of smaller, touching moments like those. [7/10]

Sonic the Hedgehog (IDW): Issue 70

Sonic the Hedgehog (IDW): Issue 70

Publication Date: July 3rd, 2024

Sometimes it can be hard to engineer a mystery. Comic books being what they are – a monthly publication where new installments are advertised via solicitations sent out months in advance – it's not uncommon for planned secrets and upcoming reveals to be spoiled long before people even have the issue in hand. This is such a common occurrence that I can't blame some writers for not even bothering. When the cover for issue 70 of IDW's "Sonic the Hedgehog" was first shown off, it proudly trumpeted the introduction of this "Phantom Rider." Normally you'd expect the reveal of this masked man to be something held off on... Instead, it was instantly shown that this is Sonic. Now that I've read issue 70, I see that the book wastes no time in confirming this. I mean, we probably would've guessed that was the case anyway. Perhaps Evan Stanley should be lauded for cutting right to the chase and avoiding a tedious Charlie Brown from Outta Town type deal. But I don't know, man. Kind of feels like a missed opportunity to me.

Anyway, issue 70 continues the Clean Sweepstakes racing story arc. On the second day of the competition, the track has been outfitted with a number of deadly traps that seem like they probably shouldn't be legal. Sonic decides to provide a big ol' distraction by swooping down onto the track as "The Phantom Rider," an interloper with a bad attitude that challenges Jet and generally mucks up everything for everyone. The Restoration security team, which includes shifty Duo and enthusiastic Surge, is right on his tail. Speaking of which, Tails and Amy use this chance to sneak aboard the floating gear shop and figure out if their stuff was tampered with. They uncover more than they anticipated. 

In my review of the previous issue, I had mostly negative things to say about Stanley building an arc around an Extreme Gear race and foregrounding Sonic and Jet's rivalry. This was based on my lack of interest in the "Sonic Riders" spin-off series and my opinion that Jet is a rather shallow, uninteresting character. The second part of this storyline – which seemingly doesn't have an official name yet, so I'm calling it the Clean Sweepstakes arc – manages to catch me off-guard by making both of these plot points interesting. Mostly this is thanks to introducing this "Phantom Rider." A guy jumping down onto the track, who races simply for his own glory and doesn't care about respecting the rules, totally shifts the focus away from the droll question of who will win this meaningless race. Instead, now we have a random supervillain speeding through and causing massive collateral damage along the way. And that's way cooler! I might actually watch NASCAR if the Green Goblin showed up in the middle of a race and started blowing shit up. (That's a lie. I still wouldn't watch NASCAR.) 

Meanwhile, Stanley manages to make Jet way more interesting with simply two panels. The first occurs after the Phantom Rider stymies him with a smokescreen. Later, after Surge comes the closest to taking the interloper down and takes attention away from Jet's victory, we see him narrowing his eyes in consternation. This moves past Jet's obsession with beating Sonic on the racetrack, the limitations of which is destined to forever make him the most boring of Sonic's rivals. Now, he's an obsessive glory hound, a narcissistic egomaniac, who can't handle anyone taking the spotlight away from him. That adds more depth, causing the reader to speculate on why Jet is so determined to prove he's the very best, like no one ever was. Nobody is that obsessed with winning unless they are compensating for a lack of self-worth. Has Jet built his entire personality around his status as a "winner?" If so, that status being challenged might as well be a deep personal insult to everything he thinks himself to be. And that raises an even darker question. If he's that obsessed with winning, if it's that deeply rooted in his psyche, he's willing to do anything to do it. I doubt a children's comic will explore any of that but, nevertheless, I'm finding myself interested in Jet for pretty much the first time. 

Stanley might've squandered some intrigue by immediately revealing that Sonic is the Phantom Rider. It literally happens on the first page. However, giving Sonic's perspective as he goes through this deception becomes interesting in its own right. See, Sonic is playing a role here. The Phantom Rider is an obnoxious bastard, who jumps in only to mess up everyone's good time. That means Sonic must cause some senseless mayhem, which goes against his natural instincts as a hero. And if he stops and helps anyone, it'll blow his cover. This might be the same inner conflict that occurs anytime a comic book does a story about a hero going undercover... But it's such a common trope for a reason. Sonic is challenging himself for the greater good, reminding himself several times that he can't help out. This results in an amusing panel where he does save a falling racer, before genuinely asking them not to mention it. This proves Sonic's heroic bonafides – he truly does help people just to help people – while also putting him in the fascinating bind of bit being able to publicly show them That's good storytelling. 

I also whined that the previous issue felt like such a blatant first act, the writer clearly putting all the gears in motion for the story they actually wanted to tell. That's still true but... In this case, anyway, Stanley pulled it off. Everything she set-up last time proves much more compelling now. While Sonic being a very visible public distraction, Tails and Amy sneak aboard the gear shop ship. You know why stealth levels are so common in video games? Simply because the good guys sneaking around, hiding from detection that is always right around the corner is a cheat code for generating suspense. Even if the security guards Tails and Amy are hiding from seem more comical than intimidating – they bicker about their own vigilance and the exploded status of Prison Island – this still manages to build-up some tension of the set-up. (The guards also wear black T-shirt with the word "SECURITY" written across their chest in big letters. I'm aware this is something actual security guards wear but it still reminds me of the henchman on the old "Batman" show.)

That subplot also climaxes in a truly unexpected way that delighted me. Maybe I just have horror movie fanboy brain rot. It's entirely possible. Yet anytime I see a disembodied hand skittering around on its fingers like a big ol' spider, I immediately think of "Evil Dead 2." Or at least "The Addams Family." (Or "The Beast with Five Fingers/"The Hand"/"The Crawling Hand"/"And Now the Screaming Starts"/"Dr. Terror's House of Horror"/that one episode of "Angel." It's a common trope, is my point.) The creepy-crawly hand then leaps onto Amy's face, "Alien" style! Considering this sequence is heavy on the shadowy art direction, features a close-up on Amy's screeching face, and is preceded by a creepy moment is something shifting behind a pile of junk... Yeah, I'm going to say this is an intentional spooky-scary moment. It's July, happy Halloween. 

The scary hand shenanigans quickly get silly, as scary hand shenanigans often do, before revealing a captivating final twist to end the issue on. Truthfully, the final set of pages here present a series of intriguing moments. As soon as Duo showed up, I've had a problem with the Restoration allowing this total stranger into their ranks. Especially since Duo is so obviously suspicious. After a little tea party with Jewel, where the purple cat guy confirms that nobody has seen Amy, Jewel leans back in her chair and furrows her brow, while Matt Froese lays on the shadows. Does She Know? If Jewel has had doubts about Duo all along, it'll go a long way towards redeeming a mildly dumb plot point. 

It's an issue full of interesting events but none of the above are even my favorite. Surge joined the Restoration as a spy for Clutch... Yet, all along, there's been this suggestion that the villain might actually enjoy being among the good guys. Surge is the one who rams the Phantom Rider and seemingly runs him off. After the race, she is praised for her actions. This results in a jubilant panel of Surge, beaming to the point that light is radiating off her, huge smile on her face, as she declares "WE'RE HEROES!" It's been evident for a while that all of Surge's villainous acts have been born out of her traumatic background twisting a basic desire to be loved and accepted. Here, in this panel, we see her getting that validation without setting any fires or blowing something up. She did something right and people love her for it. Gee whiz, you guys, is it dusty in here or what? As a chronic fuck-up myself, I know how euphoric it is to finally feel like you didn't do something wrong, to receive praise and attention, and maybe even love, just for doing something on instinct. 

The result is a memorable issue, brought to life with some lively artwork. This being such an action-heavy installment clearly gives Aaron Hammerstrom to flex a little. There's a lot of really dramatic panels of the heroes crashing into each other or racing around. Sometimes this backfires. One gets the sense that Hammerstrom has been instructed to clearly depict the race track, so as not to confuse the reader. The result are some lay-outs that are a little bland. And I still ended up having to re-read the page where the Phantom Rider/Sonic crashes through a glass tube. Yet any flaws are more than redeemed by those wonderful facial expressions and, as I mentioned early, some very atmospheric ink work in the latter half. 

Being an issue devoted to a large sporting event, with many additional racers and a crowd of spectators, provides another opportunity for the artist. He's gotta fill all the crowd shots and scenes of the Phantom Rider zooming around other competitors with faces. And we all know how much "Sonic" artists love to design some O.C.s. I'm not shocked that fans would latch onto one of these background designs. What I find funny is which one seems to be speaking to people. In just the last three days this issue has been out, I've seen multiple Discord comments and Twitter posts demanding to know more about the black furred racer, wearing visor sun glasses, a puffy red jacket, and riding a red hoverboard. It seems to me that this guy is clearly meant to be a generic figure. Lanolin might've started out as a background extra but a lot of work had clearly been put into her design, making her transition to named cast member easy to understand. I don't get that impression from Red Guy at all. But I guess something about his aura has caught the public's eye. "Sonic" fans are not immune to a bad boy in sunglasses and a leather jacket, it seems. Maybe Aaron should've thrown in a backwards baseball cap, some nunchucks in his pocket, while he was at it... Can we rastafy Red Guy by ten percent? Is this a racer who gets biz-zay, consistently and thoroughly? 

For the record, I think the monkey we see riding a nimbus cloud in one of the race scenes is a cooler design. Then again, maybe one Sun Wukong homage is enough in the world of "Sonic" comic books. Stanley has written compelling middle chapters in longer stories that had middling starts and go in to lame endings. She could still fumble this. Yet the improvement seen from the first part to the second is impressive. The teases here for future events get me excited, not bored. Most importantly, a surprising amount of character development is sneaked in between action beats, which makes them all the more involving. I may not care about "Sonic Riders" but I do care about these characters. Emphasizing the latter is all you really need to make any idea into a good comic book. [8/10]

Sonic the Hedgehog (IDW): Issue 69

Sonic the Hedgehog (IDW): Issue 69

Original Publication Date: May 29th, 2024

Before taking four months off to give "Fang the Hunter" time to shine, IDW "Sonic" was clearly in a transitional period. Some characters had been written out of the book. Others had reappeared. A bigger narrative was brewing but things hadn't really escalated yet. #68 genuinely felt like the first real filler issue that IDW has ever put out over its "Sonic" run. But, hey, we're back now! And what's the big event storyline that's going to get fans excited for the ongoing series again? 

It's, uh, a homage to the "Sonic Rider" series. I know, for some fans, the hoverboard racing spin-off games are a beloved part of the franchise. Elements like the Extreme Gear boards and the Babylon Rogues have basically become fixtures of the series. But I've never actually played any of the "Riders" games. I basically checked out of "Sonic" games after "Heroes" and didn't start to creep back until "Generations." (And, if I'm being totally honest, I didn't really come back until "Mania.") Honestly, it's always been kind of confused and annoyed me that Sega has kept making "Sonic" that focus on vehicles, instead of Sonic's actual speed. Seems counterintuitive to me! Once again, I just have to admit that the "Riders" sub-series is another one of those "Sonic" things a lot of fans cherish that, simply, aren't for me. 

Honestly, considering the intrinsic role speed plays in the series – and how easy it is to build long story arcs around a competition format – I'm surprised IDW "Sonic" hasn't done a "Riders" inspired arc before! And so, this issue kicks off with the Restoration and Clean Sweep Inc – otherwise known as Clutch's shady as fuck company – teaming up on a big public race. Sonic, Tails and Amy shit talk with the Babylon Rogues before their hoverboards all malfunction, leading to the central trio being disqualified from the race. They quickly suspect some funny business is afoot. They're right, as Duo has recruited Surge and Kit to intentionally sabotage their boards. The heroic trio find an unlikely alley in the form of... Eggman?! Say it ain't so. 

If I'm being cynical, I don't think the gameplay is the main reason the "Sonic Riders" series has remained a fan favorite over the years. Most reviews suggest the games are fine, not bad but not spectacular. Instead, I honestly suspect a big reason fans keep going back to that setting is the cute racing outfits the established cast wear in them. Until the rise of mobile games that constantly sell players new skins, there weren't that many official alternate looks for Sonic and friends. There's no doubt that some fans really do love to dress up their favorite characters like little dolls, especially on a fandom like this obsessed with surface-level aesthetics. "Riders'" racing gear allowed for the first real such opportunity in the games. And, yeah, Rouge's sports bra and Amy's bell bottoms are pretty slick designs. I can see why the style stuck with people. 

Unsurprisingly, it's been a common trend in fan art to design "Riders" outfits for characters that never appeared in the games and OCs. Issue 69 feels like an attempt by Evan Stanley to canonize this practice. The very first page features a set of panels displaying all the story's principle players in their racing suits and accompanying modes of transportation. Lanolin gets a yellow and green jumpsuit. Whisper has an adorable, high-collared parka. Surge wears a super cute puffy jacket and some bitchin' sunglasses, while riding what looks like a green version of Kaneda's bike. Considering a few of the IDW cast members are playable in the aforementioned mobile game designed primarily to sell players new skins, it wouldn't surprise me if some of these threads are incorporated there some down the line. Perhaps Stanley's Corporate Overlords even demand these outfits be put into the comic.

All of that aside... What do I think of the actual writing in this issue? It's okay. Kind of says a lot about how memorable this issue that the main conversation it's prompted in the fandom is whether Lanolin is too bitchy. She's essentially operating as the race's referee, stepping in to report technical infractions. This matches the strict, rule-obsessed personality the lamb has developed recently. Some people seem to think this makes Lanolin an obnoxious fuddy-duddy, existing to tell the other characters to stop having fun, going a long ways towards making the sheep unpopular. I think Lanolin is still a new enough character that the book hasn't quite figured out a role for her yet. Hopefully she finds a purpose beyond being the official team buzzkill in the future. An anal retentive field leader has more potential than that.  

Maybe fans are picking up on this interaction because... There's not a lot of actual racing here. Sonic and the gang zip around on their boards some but there's a shocking lack of tension in these moments. Instead, these panels seem to mostly be focused on the hedgehog trash talking with Jet. I've said before that I find Jet to be the most boring of Sonic's speedy rivals. Unlike Shadow or Scourge, who have compelling back stories and motivations of their own, Jet really is strictly defined by just wanting to be faster than Sonic. IDW has frequently characterized him as a spoiled brat with an annoyingly fragile ego. Beyond that, the trash talk here just isn't good. "Hope you all enjoy headlines on papers!" What a weird way to say you'll be reading about us tomorrow. Amy's snippy comeback to Storm is actually better than any of Jet and Sonic's banter. 

The truth is, I found this scene so lacking in tension that I actually considered something that has never crossed my mind before. If Sonic and Jet are racing around each other at high speeds... How can they even hear each other? The roar of the engines and the wind racing around them would probably make it really hard to have a conversation. It's not quite as egregious as folks having conversations while free falling from an airplane. Yet, if you tried to talk to someone while racing them in a motorcycle, it would probably result in a lot of "Huh? What? Wha'd'ya say?" Now, I'm wondering how Sonic can talk to anyone while running around at high speeds. Does he have super-fast hearing too? This is absolutely nitpicking and, if this scene was good, I probably wouldn't have had this thought at all. Yet here we are. 

Truthfully, if issue 69 feels a little tedious, it's not hard to figure out why. This comic isn't really about the race. It's actually one of those issues that exist largely to set up the plot for the rest of the arc. And so you have Clutch floating around the race, trying to ingratiate himself with Jewel as part of his on-going attempt to undermine them. Though the scene where he uncomfortably puts his hand on her shoulder and she immediately, awkwardly leaves afterwards makes him seem more like a touchy sleaze ball than a criminal mastermind. I doubt that was Stanley's intention but it does end up raising the tension in the scene. I'm still not sure how everyone can obviously tell Clutch is plotting something shady. Motherfucker carries a pimp stick and wears a fedora. He might as well have "I'M A BAD GUY" written on his forehead. Yet the plot dictates that he be taken seriously as a businessmen for now...

That's just one of several plot points introduced here. Duo, Surge, and Kit – other examples of obviously villainous characters being allowed to run around the Restoration, unobserved – are part of this wicked plan. It all comes to a head in the final scene, where Eggman plops himself down next to Sonic in what appears to be the Mobian version of a Denny's. The two form a truce of some sort in order to facilitate a daring break-in into the floating raceway, in order to see if the Extreme Gear had been tampered with. Plots with a lot of moving parts like this are not Stanley's strong suit. It was part of why the "Urban Warfare" arc collapsed into incompetent action sequences by the end. I'm already not entirely following what Tails and Eggman's scheme is here. 

However, the set-up at least has potential. First off, it sounds like we might be moving towards a heist plot. Those are always fun! Secondly, Sonic and Eggman being forced to work together is usually a compelling premise. There's always a decent degree of tension to be mined from lifelong enemies being forced into a situation where they have to team up. I prefer this to happen when they must unite against a greater threat. Instead, Eggman offers Sonic some assistance because a Clean Sweeps commercial mocked him and he took that personally. Still, there's some interesting directions this could go in, other than just more tedious racing and trash talking. We shall see.

The credits page of the issue doesn't actually list anyone under pencils, just crediting Min Ho Kim with "Inks." But it would appear that the linework is his. Maybe Kim just does everything in ink? Whatever the format, it is naturally a very smooth looking issue. The action feels fairly inert, such as in a very posed panel where a wall explodes before Sonic and Jet. Yet the characters still look cool as fuck. You can tell Kim had a good time drawing the various alt outfits on display here. Meanwhile, comedic details – like the libelous commercial or Cubot hugging a pillow with his waifu on it – are well done. By the way, fellow ASO Discord member Jonathan Dobbs did some colors work on this issue. Always beat when a "Sonic" fan artist upgrades to official artists, especially when it's someone you got to see coming up. Don't forget us when you're huge, J-Dobbs!

Ultimately, I feel compelled to give this issue a negative rating. Which may not be fair. Installments that this, that function primarily as the set-up heavy first acts of longer stories, really aren't meant to stand on their own. I guess this is one of the big weakness for Writing for the Trade, individual issues rarely being allowed to stand on their own as satisfying works of art. I'm really feeling a [5/10] on this one but, if what happens next makes this issue better in retrospect, I might bump it up a score. Until then, the rating stands. Look at that, I got through this whole review without cracking a single "Nice" joke...